One Hundred Poems from the Japanese

Przednia okładka
New Directions Publishing, 1955 - 143
3 Recenzje
The poems are drawn chiefly from the traditional Manyoshu, Kokinshu and Hyakunin Isshu collections, but there are also examplaes of haiku and other later forms. The sound of the Japanese texts i reproduced in Romaji script and the names of the poets in the calligraphy of Ukai Uchiyama. The translator's introduction gives us basic background on the history and nature of Japanese poetry, which is supplemented by notes on the individual poets and an extensive bibliography.
 

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LibraryThing Review

Recenzja użytkownika  - tombrinck - LibraryThing

This is a selection of classic Japanese poetry in translation (the original Japanese is there too). The poems, mostly tanka/waka, are not my favorite selection -- mostly court poetry without a lot of ... Przeczytaj pełną recenzję

Review: 100 Poems from the Japanese

Recenzja użytkownika  - Daniel Burton-Rose - Goodreads

Anarcho-Beat orientalism... Przeczytaj pełną recenzję

Spis treści

Yamabe no Akahito 345678
3
Akazome Emon
9
Oe no Chisato
15
Lady Horikawa
32
Taira no Kanemori
38
The Emperor Koko
44
The Mother of the Commander Michitsuna
50
Fujiwara no Sadaie
63
Mibu no Tadami
76
Minamoto no Tsunenobu
84
Otomo no Yakamochi 90 91 92 93 94 95
90
The Empress Yamatohime
101
Three Naga Uta from Hitomaro 105 108
115
Bibliography
132
Prawa autorskie

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Informacje o autorze (1955)

Poet-essayist Kenneth Rexroth (1905-1982) was a high-school dropout, disillusioned ex-Communist, pacifist, anarchist, rock-climber, critic and translator, mentor, Catholic-Buddhist spiritualist and a prominent figure of San Francisco's Beat scene. He is regarded as a central figure of the San Francisco Renaissance and is among the first American poets to explore traditional Japanese forms such as the haiku.

Informacje bibliograficzne