The Author, Art, and the Market: Rereading the History of AestheticsColumbia University Press, 1994 - 200 Analyzing the rise of art in the 18th century, this treatise demonstrates how painting, sculpture and literature were not regarded as valuable art forms before the emergence of a new bourgeois culture. The author reveals how Romantic poets and philosophers invented art as we know it today. |
Spis treści
The Interests in Disinterestedness | 11 |
Genius and the Copyright | 35 |
Aesthetic Autonomy as a Weapon in Cultural Politics Rereading Schillers Aesthetic Letters | 57 |
Aesthetics and the Policing of Reading | 87 |
Engendering Art | 103 |
The Uses of Kant in England | 111 |
NOTES | 149 |
179 | |
195 | |
Kluczowe wyrazy i wyrażenia
achieved Addison Aesthetic Letters aesthetics Anton Reiser appeared artist associationist audience Aufklärer Aufklärung Authorship Batteux beautiful Bergk Bristol Journal Büchernachdruck chapter Coleridge Coleridge's concept Criticism Critique of Judgment culture edited eighteenth century emotion England English essay faculties Fichte Frankfurt am Main Fräulein von Sternheim Friedrich Friedrich Schiller genius German Geschichte Goethe Gottfried August Bürger history of aesthetics human ideal ideas imagination imitation inspired instrumentalist intellectual Jahrhundert Jeffrey Johann Kant Kant's Karl Philipp Moritz kind Klopstock Kunst Leipzig Lenore literary literature Lyrical Ballads M. H. Abrams Mendelssohn mind modern nature novel object original Oxford perfection philosophical pleasure poem poet poetic poetry political popular practice Preface Princeton principles publishers readers reception reflection Roche Samuel Taylor Coleridge Schillers Briefe schönen Künste sense Spectator sublimity suggests taste theory of art thought tion translated University Press verse Versuch Werke Wieland William Wordsworth work's York