Begin Again: A Biography of John CageKnopf Doubleday Publishing Group, 19 paź 2010 - 496 John Cage was a man of extraordinary and seemingly limitless talents: musician, inventor, composer, poet. He became a central figure of the avant-garde early in his life and remained at that pinnacle until his death in 1992 at the age of eighty. Now award-winning biographer Kenneth Silverman gives us the first comprehensive life of this remarkable artist. We follow Cage from his Los Angeles childhood—his father was a successful inventor—through his stay in Paris from 1930 to 1931, where immersion in the burgeoning new musical and artistic movements triggered an explosion of creativity in him and, after his return to the States, into his studies with the seminal modern composer Arnold Schoenberg. We see Cage’s early experiments with sound and percussion instruments, and watch as he develops his signature work with prepared piano, radio static, random noise, and silence. We learn of his many friendships over the years with other composers, artists, philosophers, and writers; of his early marriage and several lovers, both female and male; and of his long relationship with choreographer Merce Cunningham, with whom he would collaborate on radically unusual dances that continue to influence the worlds of both music and dance. Drawing on interviews with Cage’s contemporaries and friends and on the enormous archive of his letters and writings, and including photographs, facsimiles of musical scores, and Web links to illustrative sections of his compositions, Silverman gives us a biography of major significance: a revelatory portrait of one of the most important cultural figures of the twentieth century. |
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Strona 9
... painted : a friend called him " insatiably cultural . " He gave Cage the beginnings of an education in modern ... painting there , and for the first time tried to compose music . It was " of a mathematical nature , " he recalled ...
... painted : a friend called him " insatiably cultural . " He gave Cage the beginnings of an education in modern ... painting there , and for the first time tried to compose music . It was " of a mathematical nature , " he recalled ...
Strona 10
... . Sample advertised a " bridge tea , " at which he would exhibit his paintings . Cage offered lectures on modern art and modern music . He went from house to house in Santa Monica trying to persuade housewives 10 BEGIN AGAIN.
... . Sample advertised a " bridge tea , " at which he would exhibit his paintings . Cage offered lectures on modern art and modern music . He went from house to house in Santa Monica trying to persuade housewives 10 BEGIN AGAIN.
Strona 11
... painting he had made , and began taking piano lessons from him : " a magnificent lion - like person , " as he later de- scribed Buhlig , " my first teacher . " Cage had no piano of his own but used the grand piano at the printing shop ...
... painting he had made , and began taking piano lessons from him : " a magnificent lion - like person , " as he later de- scribed Buhlig , " my first teacher . " Cage had no piano of his own but used the grand piano at the printing shop ...
Strona 24
... paintings - one of the first art collectors / dealers in America to do so . Her viewers included Cage , to whom she even loaned a work by Klee . Xenia had studied art at Reed College , and fashioned artworks herself , in various media ...
... paintings - one of the first art collectors / dealers in America to do so . Her viewers included Cage , to whom she even loaned a work by Klee . Xenia had studied art at Reed College , and fashioned artworks herself , in various media ...
Strona 34
... painting : Cage and Xenia disliked Renoir ; Ricketts disliked Alexej von Jawlensky of the Blue Four . He and Cage also argued opposite definitions of poetry- " one of those interminable discussions in which nothing seems accomplished ...
... painting : Cage and Xenia disliked Renoir ; Ricketts disliked Alexej von Jawlensky of the Blue Four . He and Cage also argued opposite definitions of poetry- " one of those interminable discussions in which nothing seems accomplished ...
Spis treści
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26 | |
51 | |
MUSIC OF CHANGES | 79 |
THE TEN THOUSAND THINGS | 121 |
INDETERMINACY | 152 |
FRACTURES | 182 |
HPSCHD | 210 |
EMPTY WORDS | 244 |
APARTMENT HOUSE | 275 |
CHANGES AND DISAPPEARANCES | 302 |
TIME BRACKETS | 324 |
EUROPERAS | 351 |
ANARCHIC HARMONY | 382 |
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American Arnold Schoenberg artists asked audience birthday Black Mountain Boulez Cage began Cage felt Cage found Cage Trust Archives Cage wrote Cage's Cage's music called Carolyn Brown Center chess Ching Christian Wolff College composition concert Cornish dance dancers David Tudor dollars Duchamp electronic essay Etudes Europeras festival Fluxus Fuller gave Getty hear Henry Cowell ideas Illus instruments Jasper Johns JC to Peter John Cage Kostelanetz later lecture letters Library living Lou Harrison M. C. Richards McLuhan Merce Cunningham mesostic months Morton Feldman moved Museum mushrooms musicians opera orchestra Paik painting percussion performance Peter Yates pianist piano piece played Press radio recalled recorded Robert Rauschenberg Satie School score sent silence solo Sonatas sonic sound string studied tape Teeny theater Thoreau thought tion told tour UCSD undated but beginning University Virgil Thomson visited Weiss Wesleyan writing Xenia York