Begin Again: A Biography of John CageKnopf Doubleday Publishing Group, 19 paź 2010 - 496 John Cage was a man of extraordinary and seemingly limitless talents: musician, inventor, composer, poet. He became a central figure of the avant-garde early in his life and remained at that pinnacle until his death in 1992 at the age of eighty. Now award-winning biographer Kenneth Silverman gives us the first comprehensive life of this remarkable artist. We follow Cage from his Los Angeles childhood—his father was a successful inventor—through his stay in Paris from 1930 to 1931, where immersion in the burgeoning new musical and artistic movements triggered an explosion of creativity in him and, after his return to the States, into his studies with the seminal modern composer Arnold Schoenberg. We see Cage’s early experiments with sound and percussion instruments, and watch as he develops his signature work with prepared piano, radio static, random noise, and silence. We learn of his many friendships over the years with other composers, artists, philosophers, and writers; of his early marriage and several lovers, both female and male; and of his long relationship with choreographer Merce Cunningham, with whom he would collaborate on radically unusual dances that continue to influence the worlds of both music and dance. Drawing on interviews with Cage’s contemporaries and friends and on the enormous archive of his letters and writings, and including photographs, facsimiles of musical scores, and Web links to illustrative sections of his compositions, Silverman gives us a biography of major significance: a revelatory portrait of one of the most important cultural figures of the twentieth century. |
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Strona 17
... Orchestra . Between work in counterpoint and Invisible Ray research , however , Cage became so busy that he felt compelled to give up the horn . Anyway , although he learned much , he found in himself " no gift for the instrument ...
... Orchestra . Between work in counterpoint and Invisible Ray research , however , Cage became so busy that he felt compelled to give up the horn . Anyway , although he learned much , he found in himself " no gift for the instrument ...
Strona 18
... orchestra . At the Hollywood Bowl he heard Jascha Heifetz play the Beethoven Violin Concerto ( " superbly " ) . And at Henry Cowell's request he arranged in Los Ange les a house concert of Japanese shakuhachi music . It drew only forty ...
... orchestra . At the Hollywood Bowl he heard Jascha Heifetz play the Beethoven Violin Concerto ( " superbly " ) . And at Henry Cowell's request he arranged in Los Ange les a house concert of Japanese shakuhachi music . It drew only forty ...
Strona 34
... orchestra of stomach worms for John : " Tight stomach should percuss fine . " Cage and Xenia drove down at least twice to visit Ricketts at his Pacific Biological Laboratory on Cannery Row in Monterey . On one trip Cage gave a lecture ...
... orchestra of stomach worms for John : " Tight stomach should percuss fine . " Cage and Xenia drove down at least twice to visit Ricketts at his Pacific Biological Laboratory on Cannery Row in Monterey . On one trip Cage gave a lecture ...
Strona 35
... orchestra , and even composed among other pieces a " Hilarious Curtain Opener " for the Cornish production of The Marriage at the Eiffel Tower . When visiting Cowell in jail , Cage discussed composition with him through the bars , and ...
... orchestra , and even composed among other pieces a " Hilarious Curtain Opener " for the Cornish production of The Marriage at the Eiffel Tower . When visiting Cowell in jail , Cage discussed composition with him through the bars , and ...
Strona 45
... Orchestra . " The ten performers , including Xenia , premiered works by William Russell and Lou Harrison , and his own Imaginary Landscape No. 3. He composed its startling electro- acoustic explosion of noise out of tin cans , recorded ...
... Orchestra . " The ten performers , including Xenia , premiered works by William Russell and Lou Harrison , and his own Imaginary Landscape No. 3. He composed its startling electro- acoustic explosion of noise out of tin cans , recorded ...
Spis treści
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26 | |
51 | |
MUSIC OF CHANGES | 79 |
THE TEN THOUSAND THINGS | 121 |
INDETERMINACY | 152 |
FRACTURES | 182 |
HPSCHD | 210 |
EMPTY WORDS | 244 |
APARTMENT HOUSE | 275 |
CHANGES AND DISAPPEARANCES | 302 |
TIME BRACKETS | 324 |
EUROPERAS | 351 |
ANARCHIC HARMONY | 382 |
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American Arnold Schoenberg artists asked audience birthday Black Mountain Boulez Cage began Cage felt Cage found Cage Trust Archives Cage wrote Cage's Cage's music called Carolyn Brown Center chess Ching Christian Wolff College composition concert Cornish dance dancers David Tudor dollars Duchamp electronic essay Etudes Europeras festival Fluxus Fuller gave Getty hear Henry Cowell ideas Illus instruments Jasper Johns JC to Peter John Cage Kostelanetz later lecture letters Library living Lou Harrison M. C. Richards McLuhan Merce Cunningham mesostic months Morton Feldman moved Museum mushrooms musicians opera orchestra Paik painting percussion performance Peter Yates pianist piano piece played Press radio recalled recorded Robert Rauschenberg Satie School score sent silence solo Sonatas sonic sound string studied tape Teeny theater Thoreau thought tion told tour UCSD undated but beginning University Virgil Thomson visited Weiss Wesleyan writing Xenia York