Begin Again: A Biography of John CageKnopf Doubleday Publishing Group, 19 paź 2010 - 496 John Cage was a man of extraordinary and seemingly limitless talents: musician, inventor, composer, poet. He became a central figure of the avant-garde early in his life and remained at that pinnacle until his death in 1992 at the age of eighty. Now award-winning biographer Kenneth Silverman gives us the first comprehensive life of this remarkable artist. We follow Cage from his Los Angeles childhood—his father was a successful inventor—through his stay in Paris from 1930 to 1931, where immersion in the burgeoning new musical and artistic movements triggered an explosion of creativity in him and, after his return to the States, into his studies with the seminal modern composer Arnold Schoenberg. We see Cage’s early experiments with sound and percussion instruments, and watch as he develops his signature work with prepared piano, radio static, random noise, and silence. We learn of his many friendships over the years with other composers, artists, philosophers, and writers; of his early marriage and several lovers, both female and male; and of his long relationship with choreographer Merce Cunningham, with whom he would collaborate on radically unusual dances that continue to influence the worlds of both music and dance. Drawing on interviews with Cage’s contemporaries and friends and on the enormous archive of his letters and writings, and including photographs, facsimiles of musical scores, and Web links to illustrative sections of his compositions, Silverman gives us a biography of major significance: a revelatory portrait of one of the most important cultural figures of the twentieth century. |
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Strona 24
... and photographed them onto a film sound track , producing " synthetic sound . " According to Cage , Fischinger asked him to compose some new music for use in a film . The film apparently did not get made , or at 24 BEGIN AGAIN.
... and photographed them onto a film sound track , producing " synthetic sound . " According to Cage , Fischinger asked him to compose some new music for use in a film . The film apparently did not get made , or at 24 BEGIN AGAIN.
Strona 25
A Biography of John Cage Kenneth Silverman. The film apparently did not get made , or at least finished . But Cage worked a few days on Fischinger's short 1937 film , Optical Poem . Using a chicken feather taped to a long pole , he moved ...
A Biography of John Cage Kenneth Silverman. The film apparently did not get made , or at least finished . But Cage worked a few days on Fischinger's short 1937 film , Optical Poem . Using a chicken feather taped to a long pole , he moved ...
Strona 29
... film technique , would probably become the basic unit of time , placing within a composer's reach every possible rhythm . While teaching at Cornish , Cage composed much music . He wrote songs to texts by e . e . cummings , works for ...
... film technique , would probably become the basic unit of time , placing within a composer's reach every possible rhythm . While teaching at Cornish , Cage composed much music . He wrote songs to texts by e . e . cummings , works for ...
Strona 40
... film to create new methods of produc- ing sound . He had become convinced , he said , that " percussion is not an end in itself but is merely a preparation of the ear for electrical music . Those at the Center would try to produce " any ...
... film to create new methods of produc- ing sound . He had become convinced , he said , that " percussion is not an end in itself but is merely a preparation of the ear for electrical music . Those at the Center would try to produce " any ...
Strona 41
... film - sound library and projec- tors . " I am certain that this project will take place , " he wrote to Cow- ell , " because the idea is so good and so necessary . " In the many months he spent seeking sponsorship , Cage spoke with and ...
... film - sound library and projec- tors . " I am certain that this project will take place , " he wrote to Cow- ell , " because the idea is so good and so necessary . " In the many months he spent seeking sponsorship , Cage spoke with and ...
Spis treści
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26 | |
51 | |
MUSIC OF CHANGES | 79 |
THE TEN THOUSAND THINGS | 121 |
INDETERMINACY | 152 |
FRACTURES | 182 |
HPSCHD | 210 |
EMPTY WORDS | 244 |
APARTMENT HOUSE | 275 |
CHANGES AND DISAPPEARANCES | 302 |
TIME BRACKETS | 324 |
EUROPERAS | 351 |
ANARCHIC HARMONY | 382 |
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American Arnold Schoenberg artists asked audience birthday Black Mountain Boulez Cage began Cage felt Cage found Cage Trust Archives Cage wrote Cage's Cage's music called Carolyn Brown Center chess Ching Christian Wolff College composition concert Cornish dance dancers David Tudor dollars Duchamp electronic essay Etudes Europeras festival Fluxus Fuller gave Getty hear Henry Cowell ideas Illus instruments Jasper Johns JC to Peter John Cage Kostelanetz later lecture letters Library living Lou Harrison M. C. Richards McLuhan Merce Cunningham mesostic months Morton Feldman moved Museum mushrooms musicians opera orchestra Paik painting percussion performance Peter Yates pianist piano piece played Press radio recalled recorded Robert Rauschenberg Satie School score sent silence solo Sonatas sonic sound string studied tape Teeny theater Thoreau thought tion told tour UCSD undated but beginning University Virgil Thomson visited Weiss Wesleyan writing Xenia York