were to have the Marchioness of Billingsgate's box at the Opera. One night-O joy of joys!-Mrs. Captain Walker appeared in a private box at "The Wells." That's she with the black ringlets and Cashmere shawl, smelling-bottle, and black-velvet gown, and bird of paradise in her hat. Goodness gracious! how they all acted at her, Gawler and all, and how happy Mrs. Crump was! She kissed her daughter between all the acts, she nodded to all her friends on the stage, in the slips, or in the real water; she introduced her daughter, Mrs. Captain Walker, to the box-opener; and Melvil Delamere (the first comic), Canterfield (the tyrant), and Jonesini (the celebrated Fontarabian Statuesque), were all on the steps, and shouted for Mrs. Captain Walker's carriage, and waved their hats, and bowed as the little pony-phaeton drove away. Walker, in his moustaches, had come in at the end of the play, and was not a little gratified by the compliments paid to himself and lady.

Among the other articles of luxury with which the Captain furnished his house we must not omit to mention an extremely grand piano, which occupied four-fifths of Mrs. Walker's little back drawing-room, and at which she was in the habit of practising continually. All day and all night during Walker's absences (and these occurred all night and all day) you might hear-the whole street might hear the voice of the lady at No. 23 gurgling, and shaking, and quavering, as ladies do when they practise. The street did not approve of the continuance of the noise; but neighbours are difficult to please, and what would Morgiana have had to do if she had ceased to sing? It would be hard to lock a blackbird in a cage and prevent him from singing too. And so Walker's blackbird, in the snug little cage in the Edgeware Road, sang and was not unhappy.

After the pair had been married for about a year, the omnibus that passes both by Mrs. Crump's house near "The Wells," and by Mrs. Walker's street off the Edgeware Road, brought up the formernamed lady almost every day to her daughter. She came when the Captain had gone to his business; she stayed to a two-o'clock dinner with Morgiana, she drove with her in the pony-carriage round the

Park, but she never stopped later than six. Had she not to go to the play at seven? And, besides, the Captain might come home with some of his great friends, and he always swore and grumbled much if he found his mother-in-law on the premises. As for Morgiana, she was one of those women who encourage despotism in husbands. What the husband says must be right, because he says it; what he orders must be obeyed tremblingly. Mrs. Walker gave up her entire reason to her lord. Why was it? Before marriage she had been an independent little person; she had far more brains than her Howard. I think it must have been his moustaches that frightened her, and caused in her this humility.

Selfish husbands have this advantage in maintaining with easyminded wives a rigid and inflexible behaviour, viz., that if they do by any chance grant a little favour, the ladies receive it with such transports of gratitude as they would never think of showing to a lord. and master who was accustomed to give them everything they asked for; and hence, when Captain Walker signified his assent to his wife's prayer that she should take a singing-master, she thought his generosity almost divine, and fell upon her mamma's neck, when that lady came the next day, and said what a dear adorable angel her Howard was, and what ought she not to do for a man who had taken her from her humble situation, and raised her to be what she was! What she was, poor soul! She was the wife of a swindling parvenu gentleman. She received visits from six ladies of her husband's acquaintances, two attorneys' ladies, his bill-broker's lady, and one or two more, of whose characters we had best, if you please, say nothing; and she thought it an honour to be so distinguished: as if Walker had been a Lord Exeter to marry a humble maiden, or a noble prince to fall in love with a humble Cinderella, or a majestic Jove to come down from heaven and woo a Semele. Look through the world, respectable reader, and among your honourable acquaintances, and say if this sort of faith in women is not very frequent ? They will believe in their husbands, whatever the latter do. Let John be dull, ugly, vulgar, and a humbug, his Mary Ann never finds it out; let him tell his stories ever so many times, there is she always

ready with her kind smile; let him be stingy, she says he is prudent; let him quarrel with his best friend, she says he is always in the right; let him be prodigal, she says he is generous, and that his health requires enjoyment; let him be idle, he must have relaxation; and she will pinch herself and her household that he may have a guinea. for his club. Yes; and every morning, as she wakes and looks at the face, snoring on the pillow by her side-every morning, I say, she blesses that dull, ugly countenance, and the dull ugly soul reposing there, and thinks both are something divine. I want to know how it is that women do not find out their husbands to be humbugs? Nature has so provided it, and thanks to her. When last year they were acting the "Midsummer Night's Dream," and all the boxes began to roar with great coarse heehaws at Titania hugging Bottom's long long ears-to me, considering these things, it seemed that there were a hundred other male brutes squatted round about, and treated just as reasonably as Bottom was. Their Titanias lulled them to sleep in their laps, summoned a hundred smiling, delicate, household fairies to tickle their gross intellects and minister to their vulgar pleasures; and (as the above remarks are only supposed to apply to honest women loving their own lawful spouses) a mercy it is that no wicked Puck is in the way to open their eyes, and point out their folly. Cui bono? let them live on in their deceit : I know two lovely ladies who will read this, and will say it is just very likely, and not see in the least that it has been written regarding them.

Another point of sentiment, and one curious to speculate on. Have you not remarked the immense works of art that women get through? The worsted-work sofas, the counterpanes patched or knitted (but these are among the old-fashioned in the country), the bushels of pincushions, the albums they laboriously fill, the tremendous pieces of music they practise, the thousand other fiddle-faddles which occupy the attention of the dear souls-nay, have we not seen them seated of evenings in a squad or company, Louisa employed at the worsted-work before mentioned, Eliza at the pincushions, Amelia at card-racks or filagree matches, and, in the midst, Theodosia with one of the candles, reading out a novel aloud? Ah! my dear sir, mortal

creatures must be very hard put to it for amusement, be sure of that, when they are forced to gather together in a company and hear novels read aloud! They only do it because they can't help it, depend upon it it is a sad life, a poor pastime. Mr. Dickens, in his American book, tells of the prisoners at the silent prison, how they had ornamented their rooms, some of them with a frightful prettiness and elaboration. Women's fancy-work is of this sort often-only prison work, done because there was no other exercising-ground for their poor little thoughts and fingers; and hence these wonderful pincushions are executed, these counterpanes woven, these sonatas learned. By everything sentimental, when I see two kind, innocent, fresh-cheeked young women go to a piano, and sit down opposite to it upon two chairs piled with more or less music-books (according to their convenience), and, so seated, go through a set of double-barrelled variations upon this or that tune by Herz or Kalkbrenner,-I say, far from receiving any satisfaction at the noise made by the performance, my too susceptible heart is given up entirely to bleeding for the performers. What hours, and weeks, nay, preparatory years of study, has that infernal jig cost them! What sums has papa paid, what scoldings has mamma administered ("Lady Bullblock does not play herself," Sir Thomas says, "but she has naturally the finest ear for music ever known!"); what evidences of slavery, in a word, are It is the condition of the young lady's existence. breakfasts at eight, she does "Mangnall's Questions" with the governess till ten, she practises till one, she walks in the square with bars round her till two, then she practises again, then she sews or hems, or reads French, or Hume's "History," then she comes down to play to papa, because he likes music whilst he is asleep after dinner, and then it is bed-time, and the morrow is another day with what are called the same "duties" to be gone through. A friend of mine went to call at a nobleman's house the other day, and one of the young ladies of the house came into the room with a tray on her head; this tray was to give Lady Maria a graceful carriage. Mon Dieu ! and who knows but at that moment Lady Bell was at work with a pair of her dumb namesakes, and Lady Sophy lying flat on a stretching

She

board? I could write whole articles on this theme: but peace! we are keeping Mrs. Walker waiting all the while.

Well, then, if the above disquisitions have anything to do with the story, as no doubt they have, I wish it to be understood that, during her husband's absence, and her own solitary confinement, Mrs. Howard Walker bestowed a prodigious quantity of her time and energy on the cultivation of her musical talent; and having, as before stated, a very fine loud voice, speedily attained no ordinary skill in the use of it. She first had for teacher little Podmore, the fat chorus-master at "The Wells," and who had taught her mother the "Tink-a-tink" song which has been such a favourite since it first appeared. He grounded her well, and bade her eschew the singing of all those "Eagle Tavern" ballads in which her heart formerly delighted; and when he had brought her to a certain point of skill, the honest little chorus-master said she should have a still better instructor, and wrote a note to Captain Walker (inclosing his own little account), speaking in terms of the most flattering encomium of his lady's progress, and recommending that she should take lessons of the celebrated Baroski. Captain Walker dismissed Podmore then, and engaged Signor Baroski, at a vast expense; as he did not fail to tell his wife. In fact, he owed Baroski no less than two hundred and twenty guineas when he was But we are

advancing matters.

Little Baroski is the author of the opera of " Eliogabalo," of the oratorio of "Purgatorio," which made such an immense sensation, of songs and ballet-musics innumerable. He is a German by birth, and shows such an outrageous partiality for pork and sausages, and attends at church so constantly, that I am sure there cannot be any foundation in the story that he is a member of the ancient religion. He is a fat little man, with a hooked nose and jetty whiskers, and coal-black shining eyes, and plenty of rings and jewels on his fingers and about his person, and a very considerable portion of his shirt-sleeves turned over his coat to take the air. His great hands (which can sprawl over half a piano, and produce those effects on the instrument for which he is celebrated) are encased in lemon-coloured kids, new, or