The second part of King Henry IVCassell & Company, 1908 |
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Strona 15
... drawn from a living man , that man must have been a little Irish ; no purely English brains work quite so fast.1 ) ” The contemporary allusions are still kept up in this play . We have the landlady's disjointed talk , which Dickens ...
... drawn from a living man , that man must have been a little Irish ; no purely English brains work quite so fast.1 ) ” The contemporary allusions are still kept up in this play . We have the landlady's disjointed talk , which Dickens ...
Strona 48
... draw the model ; And when we see the figure of the house , Then must we rate the cost of the erection , Which if we find outweighs ability , What do we then , but draw anew the model In fewer offices , or , at least , desist To build at ...
... draw the model ; And when we see the figure of the house , Then must we rate the cost of the erection , Which if we find outweighs ability , What do we then , but draw anew the model In fewer offices , or , at least , desist To build at ...
Strona 49
... draws the model of a house Beyond his power to build it ; who , half through , Gives o'er , and leaves his part - created cost A naked subject to the weeping clouds And waste for churlish winter's tyranny . Hast . Grant that our hopes ...
... draws the model of a house Beyond his power to build it ; who , half through , Gives o'er , and leaves his part - created cost A naked subject to the weeping clouds And waste for churlish winter's tyranny . Hast . Grant that our hopes ...
Strona 50
William Shakespeare. With hollow poverty and emptiness . Arch . That he should draw his several strengths together And come against us in full puissance , Need not be dreaded . Hast . If he should do so , He leaves his back unarmed , the ...
William Shakespeare. With hollow poverty and emptiness . Arch . That he should draw his several strengths together And come against us in full puissance , Need not be dreaded . Hast . If he should do so , He leaves his back unarmed , the ...
Strona 51
... things present , worst . Mowb . Shall we go draw our numbers and set on ? Hast . We are time's subjects , and time bids [ Exeunt . be gone . II - D 51 ACT SECOND SCENE I. - London . A Street Enter ACT ONE King Henry IV - Part II SCENE ...
... things present , worst . Mowb . Shall we go draw our numbers and set on ? Hast . We are time's subjects , and time bids [ Exeunt . be gone . II - D 51 ACT SECOND SCENE I. - London . A Street Enter ACT ONE King Henry IV - Part II SCENE ...
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Amurath Arch Bard bear beseech blood brother Bull-calf captain Clar Coleville comes court cousin crown Davy dead death Doll Tear-sheet dost doth drink earl Epil Exeunt Exit Fang father fear fellow friends give grace grief Harry Hast hath head hear heart Heaven Henry IV hither honest honour Host hostess Hotspur's Humph John of Lancaster KING HENRY king's knave knight look Lord Bardolph Lord Chief Justice Lord Hastings Lord of Westmoreland lordship majesty marry Master Shallow Master Silence merry Mistress Q.'s blunder Mouldy Mowb Mowbray naked weapons never Northumberland Oldcastle peace Pist Pistol Poins pray Prince HENRY Prince JOHN rascal Re-enter rogue Rumour SCENE Shal Shrewsbury sick Sir Dagonet Sir John Falstaff sleep sorrow speak spirit swaggerers sweet sword tell thee thine Thomas Lucy thou art tongue troth unto Wart WARWICK Westmoreland whoreson word young