An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 51
... expression is the subject of a following chapter , this chapter is confined to beauty in its proper signifi- cation . It is natural to suppose , that a perception so various as that of beauty , comprehending sometimes many particulars ...
... expression is the subject of a following chapter , this chapter is confined to beauty in its proper signifi- cation . It is natural to suppose , that a perception so various as that of beauty , comprehending sometimes many particulars ...
Strona 58
... expressions , are characterized in the same manner : an expression or sentiment that raises the mind is denominated great or elevated ; and hence the SUBLIME in poetry . In such figurative terms , we lose the distinction between great ...
... expressions , are characterized in the same manner : an expression or sentiment that raises the mind is denominated great or elevated ; and hence the SUBLIME in poetry . In such figurative terms , we lose the distinction between great ...
Strona 63
... the term beauty extended to intellectual and moral objects ? What is a low emotion ? What is the effect of a great sentiment or expression on the mind ? What arises hence ? What is a climax ? What GRANDEUR AND SUBLIMITY . 63.
... the term beauty extended to intellectual and moral objects ? What is a low emotion ? What is the effect of a great sentiment or expression on the mind ? What arises hence ? What is a climax ? What GRANDEUR AND SUBLIMITY . 63.
Strona 66
... expressing dig- nity , others meanness . But the pleasure here , arising not singly from the beauty of motion , but from indi- cating character and sentiment , belongs to different chapters . I should conclude with the final cause of ...
... expressing dig- nity , others meanness . But the pleasure here , arising not singly from the beauty of motion , but from indi- cating character and sentiment , belongs to different chapters . I should conclude with the final cause of ...
Strona 83
... expressions ; nor is even the slightest impro- priety suffered to pass without some degree of con- tempt . But there are improprieties of the slighter kind , that provoke laughter ; of which we have ex- amples without end in the ...
... expressions ; nor is even the slightest impro- priety suffered to pass without some degree of con- tempt . But there are improprieties of the slighter kind , that provoke laughter ; of which we have ex- amples without end in the ...
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers