An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 10
... beginning with the former , handled abstractedly , and descending to the latter . But though criticism be thus his only declared aim , he will not disown , that all along it has been his view to ex- plain the nature of man , considered ...
... beginning with the former , handled abstractedly , and descending to the latter . But though criticism be thus his only declared aim , he will not disown , that all along it has been his view to ex- plain the nature of man , considered ...
Strona 98
... beginning of this chapter : they are ludicrous , and their singularity occasions some degree of surprise . Swift is no less successful than Butler in this sort of wit : witness the following instances : God- dess - Bodice . Pliny ...
... beginning of this chapter : they are ludicrous , and their singularity occasions some degree of surprise . Swift is no less successful than Butler in this sort of wit : witness the following instances : God- dess - Bodice . Pliny ...
Strona 120
... Beginning of Act II . || A certain author says humorously , " Les mots mêmes d'amour et d'amant sont bannis de l'intime société des deux sexes , et relegués avec ceux de chaine et de flamme dans les Romans qu'on ne lit plus . " And ...
... Beginning of Act II . || A certain author says humorously , " Les mots mêmes d'amour et d'amant sont bannis de l'intime société des deux sexes , et relegués avec ceux de chaine et de flamme dans les Romans qu'on ne lit plus . " And ...
Strona 137
... beginning with similies . And here , also , the in- timate connexion that words have with their meaning , requires that in describing two resembling objects , a resemblance in the two members of the period ought to be studied . Next ...
... beginning with similies . And here , also , the in- timate connexion that words have with their meaning , requires that in describing two resembling objects , a resemblance in the two members of the period ought to be studied . Next ...
Strona 139
... arrangement are of two sorts ; one where the arrangement leads to a wrong sense , and one where the sense is left doubtful . The first , being the more \ culpable , shall take the lead , beginning with examples BEAUTY OF LANGUAGE . 139.
... arrangement are of two sorts ; one where the arrangement leads to a wrong sense , and one where the sense is left doubtful . The first , being the more \ culpable , shall take the lead , beginning with examples BEAUTY OF LANGUAGE . 139.
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers