An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 4
... tion .... 134 3. Beauty of Language from a resemblance between Sound and Signification .. 145 4. Versification .... 147 CHAP . 19. Comparisons .. 20. Figures ..... Sect . 1. Personification . 161 181 182 2. Apostrophe 3. Hyperbole ...
... tion .... 134 3. Beauty of Language from a resemblance between Sound and Signification .. 145 4. Versification .... 147 CHAP . 19. Comparisons .. 20. Figures ..... Sect . 1. Personification . 161 181 182 2. Apostrophe 3. Hyperbole ...
Strona 6
... tion ... 133 ib . 134 3. Beauty of Language from a resemblance between Sound and Signification .. 145 4. Versification ... 147 CHAP . 19. Comparisons .. 20. Figures .... Sect . 1. Personification . 161 181 182 2. Apostrophe 196 3 ...
... tion ... 133 ib . 134 3. Beauty of Language from a resemblance between Sound and Signification .. 145 4. Versification ... 147 CHAP . 19. Comparisons .. 20. Figures .... Sect . 1. Personification . 161 181 182 2. Apostrophe 196 3 ...
Strona 13
... tion of constituent parts till the thing be surveyed as a whole . Our ideas are governed by the same prin- ciple . The principle of order is conspicuous with regard to natural objects , as bodies in motion ; the mind falls with a heavy ...
... tion of constituent parts till the thing be surveyed as a whole . Our ideas are governed by the same prin- ciple . The principle of order is conspicuous with regard to natural objects , as bodies in motion ; the mind falls with a heavy ...
Strona 15
... tion of Fame in the Eneid . New objects introduced in description are made more or less welcome in proportion to the degree of their connexion with the principal subject . Rela- tions make no capital figure in the mind , some being ...
... tion of Fame in the Eneid . New objects introduced in description are made more or less welcome in proportion to the degree of their connexion with the principal subject . Rela- tions make no capital figure in the mind , some being ...
Strona 19
... a benefactor , are purely social . An ac- tion done to gratify my ambitious views , is selfish . Resentment from the gratification of passion is selfish ; it is dissocial when revenge aims at the destruction of EMOTIONS AND PASSIONS . 199.
... a benefactor , are purely social . An ac- tion done to gratify my ambitious views , is selfish . Resentment from the gratification of passion is selfish ; it is dissocial when revenge aims at the destruction of EMOTIONS AND PASSIONS . 199.
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers