An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 4
... Speech .... 218 CHAP . 21. Narration and Description 222 22. Epic and Dramatic Composition .. 242 23. The Three Unities ..... ........ 265 24. Gardening and Architecture 275 25. Standard of Taste .. 295 INTRODUCTION . THE design of the ...
... Speech .... 218 CHAP . 21. Narration and Description 222 22. Epic and Dramatic Composition .. 242 23. The Three Unities ..... ........ 265 24. Gardening and Architecture 275 25. Standard of Taste .. 295 INTRODUCTION . THE design of the ...
Strona 6
... Speech .... 218 CHAP . 21. Narration and Description 22. Epic and Dramatic Composition .. 23. The Three Unities ..... 24. Gardening and Architecture 25. Standard of Taste ...... .... 222 242 265 275 295 INTRODUCTION . THE design of the ...
... Speech .... 218 CHAP . 21. Narration and Description 22. Epic and Dramatic Composition .. 23. The Three Unities ..... 24. Gardening and Architecture 25. Standard of Taste ...... .... 222 242 265 275 295 INTRODUCTION . THE design of the ...
Strona 17
... speech ; but in this case our emotion is fainter than in the former . Desire follows some emotions , not others . We desire to reward or to imitate a virtuous action ; a beautiful garden , a magnificent building , may be viewed without ...
... speech ; but in this case our emotion is fainter than in the former . Desire follows some emotions , not others . We desire to reward or to imitate a virtuous action ; a beautiful garden , a magnificent building , may be viewed without ...
Strona 20
... speech is the most powerful of all the means by which one human being can display itself to another , the objects of the eye must yield preference to those of the ear . Sounds may raise terror or mirth . • Music in conjunction with ...
... speech is the most powerful of all the means by which one human being can display itself to another , the objects of the eye must yield preference to those of the ear . Sounds may raise terror or mirth . • Music in conjunction with ...
Strona 28
... speech , writing , or painting . That idea , with respect to the present subject , is of the same nature with an idea of memory , being either complete or incomplete . Lively and accurate description raises in us ideas no less distinct ...
... speech , writing , or painting . That idea , with respect to the present subject , is of the same nature with an idea of memory , being either complete or incomplete . Lively and accurate description raises in us ideas no less distinct ...
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers