An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 8
... ; but these he avoids , or removes out of sight , because they give him pain . On the other hand , a man void of taste , upon whom even striking beauties make but a faint impression , indulges pride or vili INTRODUCTION .
... ; but these he avoids , or removes out of sight , because they give him pain . On the other hand , a man void of taste , upon whom even striking beauties make but a faint impression , indulges pride or vili INTRODUCTION .
Strona 17
... sight that raise pleasant emotions ; a barren heath , a dirty marsh , a rotten carcass , raise painful emotions . Of these emotions , thus produced , we inquire for no other cause , but merely the pres- ence of the object . And these ...
... sight that raise pleasant emotions ; a barren heath , a dirty marsh , a rotten carcass , raise painful emotions . Of these emotions , thus produced , we inquire for no other cause , but merely the pres- ence of the object . And these ...
Strona 24
... sight , This news hath made thee a most ugly man . KING JOHN . ACT III Sc . 1 . Yet the first messenger of unwelcome news Hath but a losing office ; and his tongue Sounds ever after , as a sullen bell Remember'd , tolling a departed ...
... sight , This news hath made thee a most ugly man . KING JOHN . ACT III Sc . 1 . Yet the first messenger of unwelcome news Hath but a losing office ; and his tongue Sounds ever after , as a sullen bell Remember'd , tolling a departed ...
Strona 28
... sight . Let us now consider the idea of a thing we never saw , raised in us by speech , writing , or painting . That idea , with respect to the present subject , is of the same nature with an idea of memory , being either complete or ...
... sight . Let us now consider the idea of a thing we never saw , raised in us by speech , writing , or painting . That idea , with respect to the present subject , is of the same nature with an idea of memory , being either complete or ...
Strona 36
... sight of the object . A passion is always reck- oned the same , as long as it is fixed upon the same ob- ject ; thus love and hatred are said to continue for life , Many passions are reckoned the same even after a change of object , as ...
... sight of the object . A passion is always reck- oned the same , as long as it is fixed upon the same ob- ject ; thus love and hatred are said to continue for life , Many passions are reckoned the same even after a change of object , as ...
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers