An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 3
... Resemblance of Emotions to their causes ... 7. Final Causes of the more frequent Emotions and Passions .... CHAP . 3. Beauty .... 4. Grandeur and Sublimity . 5. Motion and Force ... 6. Novelty , and the unexpected appearance of ob ...
... Resemblance of Emotions to their causes ... 7. Final Causes of the more frequent Emotions and Passions .... CHAP . 3. Beauty .... 4. Grandeur and Sublimity . 5. Motion and Force ... 6. Novelty , and the unexpected appearance of ob ...
Strona 4
... resemblance between Sound and Signification .. 145 4. Versification .... 147 CHAP . 19. Comparisons .. 20. Figures ..... Sect . 1. Personification . 161 181 182 2. Apostrophe 3. Hyperbole ...... 196 198 4. The Means or Instrument ...
... resemblance between Sound and Signification .. 145 4. Versification .... 147 CHAP . 19. Comparisons .. 20. Figures ..... Sect . 1. Personification . 161 181 182 2. Apostrophe 3. Hyperbole ...... 196 198 4. The Means or Instrument ...
Strona 6
... resemblance between Sound and Signification .. 145 4. Versification ... 147 CHAP . 19. Comparisons .. 20. Figures .... Sect . 1. Personification . 161 181 182 2. Apostrophe 196 3. Hyperbole ..... 198 4. The Means or Instrument conceived ...
... resemblance between Sound and Signification .. 145 4. Versification ... 147 CHAP . 19. Comparisons .. 20. Figures .... Sect . 1. Personification . 161 181 182 2. Apostrophe 196 3. Hyperbole ..... 198 4. The Means or Instrument conceived ...
Strona 41
... are intimately connected , though the emotions themselves have little resemblance to each other ; an example of which is a mistress in distress , whose beauty gives pleasure , and her distress pain : These two D 2 EMOTIONS AND PASSIONS .
... are intimately connected , though the emotions themselves have little resemblance to each other ; an example of which is a mistress in distress , whose beauty gives pleasure , and her distress pain : These two D 2 EMOTIONS AND PASSIONS .
Strona 42
... resemblance to each other ; and yet so intimately connected are their causes , as to force them into a sort of complex emotion , partly pleasant , partly painful . This clearly explains some expres- sions common in poetry , as a sweet ...
... resemblance to each other ; and yet so intimately connected are their causes , as to force them into a sort of complex emotion , partly pleasant , partly painful . This clearly explains some expres- sions common in poetry , as a sweet ...
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers