An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 5
... proper or improper , what manly , and what mean or trivial . Hence a foun- dation for reasoning upon the taste of any individual , and for passing sentence upon it . Where it is conformable to principles , we can pronounce with ...
... proper or improper , what manly , and what mean or trivial . Hence a foun- dation for reasoning upon the taste of any individual , and for passing sentence upon it . Where it is conformable to principles , we can pronounce with ...
Strona 7
... proper or improper , what manly , and what mean or trivial . Hence a foun- dation for reasoning upon the taste of any individual , and for passing sentence upon it . Where it is conformable to principles , we can pronounce with ...
... proper or improper , what manly , and what mean or trivial . Hence a foun- dation for reasoning upon the taste of any individual , and for passing sentence upon it . Where it is conformable to principles , we can pronounce with ...
Strona 9
... proper , elegant , and ornamental , in writing or painting , in archi- tecture or gardening , is a fine preparation for the same just relish of these qualities in character and behavior . To the man who has acquired a taste so acute and ...
... proper , elegant , and ornamental , in writing or painting , in archi- tecture or gardening , is a fine preparation for the same just relish of these qualities in character and behavior . To the man who has acquired a taste so acute and ...
Strona 18
... proper name : hence we say , an appetite for glory , the passion of friendship . A passion comes after its object has been presented , an appetite exists before it ; thus the appe- tite of hunger is directed to food . We act calmly when ...
... proper name : hence we say , an appetite for glory , the passion of friendship . A passion comes after its object has been presented , an appetite exists before it ; thus the appe- tite of hunger is directed to food . We act calmly when ...
Strona 22
... proper objects upon which to exert this emotion . So full of valor , that they smote the air For breathing in their faces . TEMPEST . - ACT IV . Sc . 1 . The emotions raised by martial music are all of this nature they have no object ...
... proper objects upon which to exert this emotion . So full of valor , that they smote the air For breathing in their faces . TEMPEST . - ACT IV . Sc . 1 . The emotions raised by martial music are all of this nature they have no object ...
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers