An Abridgment of Elements of Criticism |
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Strona 143
The opportunity of a pause should not be thrown away upon accessories , but reserved for the principal object , in order that it may make a full impression ; and the capital word should be placed in the front : as the name of a person .
The opportunity of a pause should not be thrown away upon accessories , but reserved for the principal object , in order that it may make a full impression ; and the capital word should be placed in the front : as the name of a person .
Strona 145
A line composed of monosyllables makes an impression , by the frequency of its pauses , similar to what is made by laborious , interrupted motion : With many a weary step , and many a groan , Up the high hill he heaves a huge round ...
A line composed of monosyllables makes an impression , by the frequency of its pauses , similar to what is made by laborious , interrupted motion : With many a weary step , and many a groan , Up the high hill he heaves a huge round ...
Strona 148
To give a just notion of the fourth , it must be observed , that pauses are necessary for three different purposes ... A pause of the first kind is variable , being long or short , frequent or less frequent , as the sense requires .
To give a just notion of the fourth , it must be observed , that pauses are necessary for three different purposes ... A pause of the first kind is variable , being long or short , frequent or less frequent , as the sense requires .
Strona 149
With respect then to the pauses of sense and of melody , it may be affirmed that their coincidence in verse is a capital beauty ; but as it cannot be expected that every line should be so perfect , the pause necessary for the sense must ...
With respect then to the pauses of sense and of melody , it may be affirmed that their coincidence in verse is a capital beauty ; but as it cannot be expected that every line should be so perfect , the pause necessary for the sense must ...
Strona 150
We are now sufficiently prepared for particulars ; beginning with English heroic verse , which shall be examined under the five heads , of number , quantity , arrangement , pause , and accent . This verse is of two kinds ; one named ...
We are now sufficiently prepared for particulars ; beginning with English heroic verse , which shall be examined under the five heads , of number , quantity , arrangement , pause , and accent . This verse is of two kinds ; one named ...
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accent action agreeable appear arises arts beauty beginning capital cause CHAPTER character circumstances common comparison connected connexion criticism custom desire dignity disagreeable distinguished effect elevated emotion equally expression fall feeling figure force former garden Give an example Give examples greater grief habit hand hath head heart Hence HENRY human ideas imagination important impression instances introduced kind king language less light lively manner means metaphor mind motion nature never object observed occasion ornament painful particular passion pause period person personification pleasant pleasure poem present principle produce proper qualities raised reason regularity relation represented requires resemblance respect ridicule rule sense sentiments short sight simile single sort sound species spectator speech sublime syllables taste termed thee things thou thought tion variety verse wind writers
Informacje bibliograficzne
| Tytuł | An Abridgment of Elements of Criticism |
| Autor | Lord Henry Home Kames |
| Redaktor | John Frost |
| Wydawca | Raynor, 1848 |
| W formie oryginalnej | Uniwersytet w Wirginii |
| W formie cyfrowej | 13 Gru 2010 |
| Liczba stron | 300 |
| Eksportuj cytowanie | BiBTeX EndNote RefMan |