An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 143
... pause , affords time for a word to make its deepest impression . Hence the fol- lowing rule : That to give the utmost force to a pe- riod , it ought , if possible , to be closed with that word which makes the greatest figure . The ...
... pause , affords time for a word to make its deepest impression . Hence the fol- lowing rule : That to give the utmost force to a pe- riod , it ought , if possible , to be closed with that word which makes the greatest figure . The ...
Strona 145
... pauses , similar to what is made by laborious , in- terrupted motion : With many a weary step , and many a groan , Up the high hill he heaves a huge round stone . ODYSSEY , Xi . 736 . First march the heavy mules securely slow ; O'er ...
... pauses , similar to what is made by laborious , in- terrupted motion : With many a weary step , and many a groan , Up the high hill he heaves a huge round stone . ODYSSEY , Xi . 736 . First march the heavy mules securely slow ; O'er ...
Strona 148
... pauses or stops in pronouncing . 5th . The pro- nouncing syllables in a high or low tone . The three first mentioned are ... pause of the second kind , being deter- mined by the melody , is not arbitrary . The 148 ELEMENTS OF CRITICISM .
... pauses or stops in pronouncing . 5th . The pro- nouncing syllables in a high or low tone . The three first mentioned are ... pause of the second kind , being deter- mined by the melody , is not arbitrary . The 148 ELEMENTS OF CRITICISM .
Strona 149
... pauses of sense and of melody , it may be affirmed that their coincidence in verse is a capital beauty ; but as it ... pause , and the latter sometimes to the former . The pronouncing syllables in a high or low tone , contributes also ...
... pauses of sense and of melody , it may be affirmed that their coincidence in verse is a capital beauty ; but as it ... pause , and the latter sometimes to the former . The pronouncing syllables in a high or low tone , contributes also ...
Strona 150
... pause , and accent . This verse is of two kinds ; one named rhyme , or metre , and one blank verse . In the former , the lines are connected two and two by similarity of sound in the final syllables ; and two lines so connected are ...
... pause , and accent . This verse is of two kinds ; one named rhyme , or metre , and one blank verse . In the former , the lines are connected two and two by similarity of sound in the final syllables ; and two lines so connected are ...
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers