An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 5
... objects that are natu- rally agreeable , as well as those that are naturally disagreeable ; and by these means to discover , if we can , what are the genuine principles of the fine arts . The man who aspires to be a critic in these arts ...
... objects that are natu- rally agreeable , as well as those that are naturally disagreeable ; and by these means to discover , if we can , what are the genuine principles of the fine arts . The man who aspires to be a critic in these arts ...
Strona 7
... objects that are natu- rally agreeable , as well as those that are naturally disagreeable ; and by these means to discover , if we can , what are the genuine principles of the fine arts . The man who aspires to be a critic in these arts ...
... objects that are natu- rally agreeable , as well as those that are naturally disagreeable ; and by these means to discover , if we can , what are the genuine principles of the fine arts . The man who aspires to be a critic in these arts ...
Strona 10
... objects are naturally agreeable , and what naturally disagreeable . That subject is here attempted , so far as ... object besides the science of criticism has the author kept in view ? ELEMENTS OF CRITICISM . CHAPTER I. Association ...
... objects are naturally agreeable , and what naturally disagreeable . That subject is here attempted , so far as ... object besides the science of criticism has the author kept in view ? ELEMENTS OF CRITICISM . CHAPTER I. Association ...
Strona 11
... objects are not more re- markable than the various relations that connect them together . Cause and effect ... object suggests to the mind others with which it is related : thus the train of thoughts is composed . Such is the ...
... objects are not more re- markable than the various relations that connect them together . Cause and effect ... object suggests to the mind others with which it is related : thus the train of thoughts is composed . Such is the ...
Strona 15
... objects introduced in description are made more or less welcome in proportion to the degree of their connexion with ... object suggest ? How far does our power over trains of ideas extend ? What sort of subject is always welcome ? Give ...
... objects introduced in description are made more or less welcome in proportion to the degree of their connexion with ... object suggest ? How far does our power over trains of ideas extend ? What sort of subject is always welcome ? Give ...
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers