An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 96
... O'er their quietus where fat judges doze , And lull their cough and conscience to repose . DISPENSARY , CANTO 1 . Speaking of Prince Eugene : This general is a great taker of snuff as well as of towns . POPE , KEY TO THE LOCK . A ...
... O'er their quietus where fat judges doze , And lull their cough and conscience to repose . DISPENSARY , CANTO 1 . Speaking of Prince Eugene : This general is a great taker of snuff as well as of towns . POPE , KEY TO THE LOCK . A ...
Strona 116
... o'er thy tomb ? Yet shall thy grave with rising flow'rs be drest , And the green turf lie lightly on thy breast : There shall the morn her earliest tears bestow , There the first roses of the year shall blow ; While angels with their ...
... o'er thy tomb ? Yet shall thy grave with rising flow'rs be drest , And the green turf lie lightly on thy breast : There shall the morn her earliest tears bestow , There the first roses of the year shall blow ; While angels with their ...
Strona 119
... o'er thee : Peace to thy heart ! Immoral sentiments exposed in their native colors , instead of being concealed or disguised , compose the fifth class . The Lady Macbeth , projecting the death of the King , has the following soliloquy ...
... o'er thee : Peace to thy heart ! Immoral sentiments exposed in their native colors , instead of being concealed or disguised , compose the fifth class . The Lady Macbeth , projecting the death of the King , has the following soliloquy ...
Strona 131
... o'er your clime ; for where one atom Of mine shall light , know there Sebastian reigns . DRYDEN , DON SEBASTIAN KING OF PORTUGAL , ACT I. Such empty expressions are finely ridiculed in the Rehearsal : LANGUAGE OF PASSION . 131.
... o'er your clime ; for where one atom Of mine shall light , know there Sebastian reigns . DRYDEN , DON SEBASTIAN KING OF PORTUGAL , ACT I. Such empty expressions are finely ridiculed in the Rehearsal : LANGUAGE OF PASSION . 131.
Strona 145
... O'er hills , o'er dales , o'er crags , o'er rocks , they go . ILIAD , Xxiii . 138 . The impression made by rough sounds in succession , resembles that made by rough or tumultuous motion ; on the other hand , the impression of smooth ...
... O'er hills , o'er dales , o'er crags , o'er rocks , they go . ILIAD , Xxiii . 138 . The impression made by rough sounds in succession , resembles that made by rough or tumultuous motion ; on the other hand , the impression of smooth ...
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers