An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 9
... never to be swayed a second time : he has now an additional motive to virtue , a conviction de- rived from experience , that happiness depends on regularity and order , and that disregard to justice or propriety never fails to be ...
... never to be swayed a second time : he has now an additional motive to virtue , a conviction de- rived from experience , that happiness depends on regularity and order , and that disregard to justice or propriety never fails to be ...
Strona 16
... never once con- descend to gratify any of the inferior senses . shall now delineate that connexion , to ascertain what power the fine arts have to raise emotions and passions . To those who desire to excel in the fine arts , that branch ...
... never once con- descend to gratify any of the inferior senses . shall now delineate that connexion , to ascertain what power the fine arts have to raise emotions and passions . To those who desire to excel in the fine arts , that branch ...
Strona 21
... never waked but to a joyful morning . Yet now must fall like a full ear of corn , Whose blossom ' scap'd , yet's wither'd in the ripening VENICE PRESERVED . - ACT I. Sc . 1 SECTION IV . - Sympathetic Emotion of Virtue , and EMOTIONS AND ...
... never waked but to a joyful morning . Yet now must fall like a full ear of corn , Whose blossom ' scap'd , yet's wither'd in the ripening VENICE PRESERVED . - ACT I. Sc . 1 SECTION IV . - Sympathetic Emotion of Virtue , and EMOTIONS AND ...
Strona 28
... never saw , raised in us by speech , writing , or painting . That idea , with respect to the present subject , is of the same nature with an idea of memory , being either complete or incomplete . Lively and accurate description raises ...
... never saw , raised in us by speech , writing , or painting . That idea , with respect to the present subject , is of the same nature with an idea of memory , being either complete or incomplete . Lively and accurate description raises ...
Strona 29
... never move the sympathetic passions , be- cause they cannot impose on the mind by any percep- tion of reality . A burlesque poem may employ ma- chinery with success , because it is not the aim of that poem to raise our sympathy . The ...
... never move the sympathetic passions , be- cause they cannot impose on the mind by any percep- tion of reality . A burlesque poem may employ ma- chinery with success , because it is not the aim of that poem to raise our sympathy . The ...
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers