An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 24
... KING JOHN . ACT III Sc . 1 . Yet the first messenger of unwelcome news Hath but a losing office ; and his tongue Sounds ever after , as a sullen bell Remember'd , tolling a departed friend . SECOND PART , HENRY IV . - ACT I. Sc . 1 ...
... KING JOHN . ACT III Sc . 1 . Yet the first messenger of unwelcome news Hath but a losing office ; and his tongue Sounds ever after , as a sullen bell Remember'd , tolling a departed friend . SECOND PART , HENRY IV . - ACT I. Sc . 1 ...
Strona 44
... King Lear , in his distress , personifies the rain , wind , and thunder ; and , in order to justify his resentment , believes them to be taking part with his daughters : Lear . Spit , fire ! spout , rain ! Nor rain , wind , thunder ...
... King Lear , in his distress , personifies the rain , wind , and thunder ; and , in order to justify his resentment , believes them to be taking part with his daughters : Lear . Spit , fire ! spout , rain ! Nor rain , wind , thunder ...
Strona 45
... King Richard II . ? PART VI . The resemblance of Emotions to their Causes . That many emotions have some resemblance to their causes , is a truth that can be made clear by in- duction ; though , as far as I know , the observation has ...
... King Richard II . ? PART VI . The resemblance of Emotions to their Causes . That many emotions have some resemblance to their causes , is a truth that can be made clear by in- duction ; though , as far as I know , the observation has ...
Strona 58
... KING LEAR . - ACT IV . Sc . 6 . Grandeur and sublimity , have hitherto been con- sidered as applicable to objects of sight ; we now proceed to consider them in relation to the fine arts , and in their figurative signification . The term ...
... KING LEAR . - ACT IV . Sc . 6 . Grandeur and sublimity , have hitherto been con- sidered as applicable to objects of sight ; we now proceed to consider them in relation to the fine arts , and in their figurative signification . The term ...
Strona 94
... breathe their last , Or when rich china vessels , fall'n from high , In glitt'ring dust and painted fragments lie ! IBID .-- CANTO III . 155 . Not youthful kings in battle seiz'd alive , Not scornful 94 ELEMENTS OF CRITICISM .
... breathe their last , Or when rich china vessels , fall'n from high , In glitt'ring dust and painted fragments lie ! IBID .-- CANTO III . 155 . Not youthful kings in battle seiz'd alive , Not scornful 94 ELEMENTS OF CRITICISM .
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers