An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 4
... External Signs of Emotions and Passions . 103 16. Sentiments ..... 105 17. Language of Passion . 123 18. Beauty of Language . 133 Sect . 1. Beauty of Language with respect to Sound . ib . 2. Beauty of Language with respect to Significa ...
... External Signs of Emotions and Passions . 103 16. Sentiments ..... 105 17. Language of Passion . 123 18. Beauty of Language . 133 Sect . 1. Beauty of Language with respect to Sound . ib . 2. Beauty of Language with respect to Significa ...
Strona 6
... External Signs of Emotions and Passions . 103 16. Sentiments ... 105 .... 17. Language of Passion . 123 18. Beauty of Language .. Sect . 1. Beauty of Language with respect to Sound . 2. Beauty of Language with respect to Significa- tion ...
... External Signs of Emotions and Passions . 103 16. Sentiments ... 105 .... 17. Language of Passion . 123 18. Beauty of Language .. Sect . 1. Beauty of Language with respect to Sound . 2. Beauty of Language with respect to Significa- tion ...
Strona 11
... external objects are not more re- markable than the various relations that connect them together . Cause and effect , contiguity in time and place , high and low , prior and posterior , resem- blance , contrast , and a thousand other ...
... external objects are not more re- markable than the various relations that connect them together . Cause and effect , contiguity in time and place , high and low , prior and posterior , resem- blance , contrast , and a thousand other ...
Strona 15
... external object suggest ? How far does our power over trains of ideas extend ? What sort of subject is always welcome ? Give examples ? What is the course of thoughts and circumstances , crowding upon each other in the mind ? What ...
... external object suggest ? How far does our power over trains of ideas extend ? What sort of subject is always welcome ? Give examples ? What is the course of thoughts and circumstances , crowding upon each other in the mind ? What ...
Strona 16
... external objects , which have addressed the eye or the ear . Hence the connexion of emotions and passions with the fine arts , which give pleasure to the eye and ear , and never once con- descend to gratify any of the inferior senses ...
... external objects , which have addressed the eye or the ear . Hence the connexion of emotions and passions with the fine arts , which give pleasure to the eye and ear , and never once con- descend to gratify any of the inferior senses ...
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers