An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 4
... Taste ......... ... 218 ... 222 22. Epic and Dramatic Composition .. 24. Gardening and Architecture .......... 242 ... .......... 265 ........ 275 ......... 295 r INTRODUCTION . THE design of the present undertaking is , vi CONTENTS .
... Taste ......... ... 218 ... 222 22. Epic and Dramatic Composition .. 24. Gardening and Architecture .......... 242 ... .......... 265 ........ 275 ......... 295 r INTRODUCTION . THE design of the present undertaking is , vi CONTENTS .
Strona 6
... Narration and Description ..... 22. Epic and Dramatic Composition .. 23. The Three Unities ... 24. Gardening and Architecture 25. Standard of Taste ......... INTRODUCTION . THE design of the present undertaking is , vi CONTENTS .
... Narration and Description ..... 22. Epic and Dramatic Composition .. 23. The Three Unities ... 24. Gardening and Architecture 25. Standard of Taste ......... INTRODUCTION . THE design of the present undertaking is , vi CONTENTS .
Strona 29
... epic poem amuses by its novelty and singularity ; but they never move the sympathetic passions , be- cause they cannot impose on the mind by any percep- tion of reality . A burlesque poem may employ ma- chinery with success , because it ...
... epic poem amuses by its novelty and singularity ; but they never move the sympathetic passions , be- cause they cannot impose on the mind by any percep- tion of reality . A burlesque poem may employ ma- chinery with success , because it ...
Strona 56
... epic poem we pardon many negligences that would not be permitted in a sonnet or an epigram . Not- withstanding such exceptions , it may be justly laid down for a rule , that in works of art , order and regularity ought to be governing ...
... epic poem we pardon many negligences that would not be permitted in a sonnet or an epigram . Not- withstanding such exceptions , it may be justly laid down for a rule , that in works of art , order and regularity ought to be governing ...
Strona 75
... epic.and dramatic compositions ; and the best writers , led perhaps more by taste than by rea- soning , have generally aimed at that beauty . It holds equally in music ; in the same cantata , all the variety of emotions that are within ...
... epic.and dramatic compositions ; and the best writers , led perhaps more by taste than by rea- soning , have generally aimed at that beauty . It holds equally in music ; in the same cantata , all the variety of emotions that are within ...
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque Cæsar capital cause circumstances comparison congruity connexion CORIOLANUS couplet criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic epic poetry expression Falstaff figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV HENRY VI ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion nature never novelty o'er object observed ornament OROONOKO Othello painful PARADISE LOST pause person personification pleasant pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II ridicule rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers Аст