An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 4
... Comparisons .. 20. Figures ..... Sect . 1. Personification . 161 181 182 2. Apostrophe 3. Hyperbole ...... 196 198 4. The Means or Instrument conceived to be the Agent .... .... ..... 201 5. A Figure , which , among relative objects ...
... Comparisons .. 20. Figures ..... Sect . 1. Personification . 161 181 182 2. Apostrophe 3. Hyperbole ...... 196 198 4. The Means or Instrument conceived to be the Agent .... .... ..... 201 5. A Figure , which , among relative objects ...
Strona 6
... Comparisons .. 20. Figures .... Sect . 1. Personification . 161 181 182 2. Apostrophe 196 3. Hyperbole ..... 198 4. The Means or Instrument conceived to be the Agent ....... ...... ..... 201 5. A Figure , which , among relative objects ...
... Comparisons .. 20. Figures .... Sect . 1. Personification . 161 181 182 2. Apostrophe 196 3. Hyperbole ..... 198 4. The Means or Instrument conceived to be the Agent ....... ...... ..... 201 5. A Figure , which , among relative objects ...
Strona 14
... comparison between the syn- thetic and analytic methods of reasoning . The syn- thetic , descending from principles to consequences , is more agreeable to the strictness of order ; in the analytic we feel the pleasure of mounting ...
... comparison between the syn- thetic and analytic methods of reasoning . The syn- thetic , descending from principles to consequences , is more agreeable to the strictness of order ; in the analytic we feel the pleasure of mounting ...
Strona 74
... comparison , is so familiar , that no philoso- pher has thought of searching for a cause ; which is simply the influence of passion over our opinions . The greatest disparity between objects of different kinds , is so common as to be ...
... comparison , is so familiar , that no philoso- pher has thought of searching for a cause ; which is simply the influence of passion over our opinions . The greatest disparity between objects of different kinds , is so common as to be ...
Strona 76
... comparison on the passions ? -on opinions ? Give an example . Exemplify the effect of contrast . The opposite ... comparisons and similies ? How do emotions make the greatest figure ? How should their succession be regulated ? Give ...
... comparison on the passions ? -on opinions ? Give an example . Exemplify the effect of contrast . The opposite ... comparisons and similies ? How do emotions make the greatest figure ? How should their succession be regulated ? Give ...
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers