An Abridgment of Elements of Criticism |
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Strona iii
Emotions and Passions as pleasant and painful , agreeable and disagreeable . — Modification of these Qualities .... 3. Interrupted Existence of Emotions and Passions . -Their Growth and Decay .. 4. Coexistent Emotions and Passions .. 5.
Emotions and Passions as pleasant and painful , agreeable and disagreeable . — Modification of these Qualities .... 3. Interrupted Existence of Emotions and Passions . -Their Growth and Decay .. 4. Coexistent Emotions and Passions .. 5.
Strona v
The design of the present undertaking is , to examine the sensitive branch of human nature , to trace the objects that are naturally agreeable , as well as those that are naturally disagreeable ; and by these means to discover , if we ...
The design of the present undertaking is , to examine the sensitive branch of human nature , to trace the objects that are naturally agreeable , as well as those that are naturally disagreeable ; and by these means to discover , if we ...
Strona vii
INTRODUCTION . a The design of the present undertaking is , to examine the sensitive branch of human nature , to trace the objects that are naturally agreeable , as well as those that are naturally disagreeable ; and by these means to ...
INTRODUCTION . a The design of the present undertaking is , to examine the sensitive branch of human nature , to trace the objects that are naturally agreeable , as well as those that are naturally disagreeable ; and by these means to ...
Strona x
by that circunstance , are distinguished from the useful arts : but in order to make pleasant impressions , we ought , as above hinted , to know what objects are naturally agreeable , and what naturally disagreeable .
by that circunstance , are distinguished from the useful arts : but in order to make pleasant impressions , we ought , as above hinted , to know what objects are naturally agreeable , and what naturally disagreeable .
Strona 14
The synthetic , descending from principles to consequences , is more agreeable to the strictness of order ; in the analytic we feel the pleasure of mounting upwards , which is very agreeable to the imagination .
The synthetic , descending from principles to consequences , is more agreeable to the strictness of order ; in the analytic we feel the pleasure of mounting upwards , which is very agreeable to the imagination .
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accent action agreeable appear arises arts beauty beginning capital cause CHAPTER character circumstances common comparison connected connexion criticism custom desire dignity disagreeable distinguished effect elevated emotion equally expression fall feeling figure force former garden Give an example Give examples greater grief habit hand hath head heart Hence HENRY human ideas imagination important impression instances introduced kind king language less light lively manner means metaphor mind motion nature never object observed occasion ornament painful particular passion pause period person personification pleasant pleasure poem present principle produce proper qualities raised reason regularity relation represented requires resemblance respect ridicule rule sense sentiments short sight simile single sort sound species spectator speech sublime syllables taste termed thee things thou thought tion variety verse wind writers