An Abridgment of Elements of Criticism |
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Strona 149
Opposed to the accent , is the cadence , one of the requisites of verse , because it is regulated by the sense ... of every line is accented , that syllable only excepted which closes the period , where the sense requires a cadence .
Opposed to the accent , is the cadence , one of the requisites of verse , because it is regulated by the sense ... of every line is accented , that syllable only excepted which closes the period , where the sense requires a cadence .
Strona 150
We are now sufficiently prepared for particulars ; beginning with English heroic verse , which shall be examined under the five heads , of number , quantity , arrangement , pause , and accent . This verse is of two kinds ; one named ...
We are now sufficiently prepared for particulars ; beginning with English heroic verse , which shall be examined under the five heads , of number , quantity , arrangement , pause , and accent . This verse is of two kinds ; one named ...
Strona 152
The great variety of melody conspicuous in English verse , arises chiefly from the pauses and accents , which are of greater importance than is commonly thought . The pause , which paves the way to the accent , offers itself first to ...
The great variety of melody conspicuous in English verse , arises chiefly from the pauses and accents , which are of greater importance than is commonly thought . The pause , which paves the way to the accent , offers itself first to ...
Strona 153
To explain the rules of accenting , we premised first , —That accents have a double effect : they contribute to the melody ... These two effects never can be separated , without im* An accent considered with respect to sense is termed ...
To explain the rules of accenting , we premised first , —That accents have a double effect : they contribute to the melody ... These two effects never can be separated , without im* An accent considered with respect to sense is termed ...
Strona 154
pairing the concord that ought to subsist between the thought and the melody ; an accent placed on a low word , has the ... Secondly , a word , of whatever number of syllables , is not accented upon more than one of them ; because the ...
pairing the concord that ought to subsist between the thought and the melody ; an accent placed on a low word , has the ... Secondly , a word , of whatever number of syllables , is not accented upon more than one of them ; because the ...
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accent action agreeable appear arises arts beauty beginning capital cause CHAPTER character circumstances common comparison connected connexion criticism custom desire dignity disagreeable distinguished effect elevated emotion equally expression external fall feeling figure force former garden Give an example Give examples greater grief habit hand hath head Hence HENRY human ideas imagination important impression instances introduced kind king language less light lively manner means metaphor mind motion nature never object observed occasion ornament painful particular passion pause period person personification pleasant pleasure poem present principle produce proper qualities raised reason regularity relation represented requires resemblance respect ridicule rule sense sentiments short sight simile single sort sound species spectator speech sublime syllables taste termed thee things thou thought tion variety verse wind writers
Informacje bibliograficzne
| Tytuł | An Abridgment of Elements of Criticism |
| Autor | Lord Henry Home Kames |
| Redaktor | John Frost |
| Wydawca | Raynor, 1848 |
| W formie oryginalnej | Uniwersytet w Wirginii |
| W formie cyfrowej | 13 Gru 2010 |
| Liczba stron | 300 |
| Eksportuj cytowanie | BiBTeX EndNote RefMan |