An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 22
... Аст IV . Sc . 1 . The emotions raised by martial music are all of this nature : they have no object ; so also the grief or pity raised by melancholy music is without an object . În this consists also the extreme delight every one has in ...
... Аст IV . Sc . 1 . The emotions raised by martial music are all of this nature : they have no object ; so also the grief or pity raised by melancholy music is without an object . În this consists also the extreme delight every one has in ...
Strona 24
... Аст І. Sc . 1 . The object , however , from which such properties are borrowed , must be such as to warm the mind and inflame the imagination . But these emotions are sec- ondary , being occasioned by antecedent , and primary emotions ...
... Аст І. Sc . 1 . The object , however , from which such properties are borrowed , must be such as to warm the mind and inflame the imagination . But these emotions are sec- ondary , being occasioned by antecedent , and primary emotions ...
Strona 44
... Аст III . Sc . 2 . King Richard , full of indignation against his favorite horse for carrying Bolingbroke , is led into the convic- tion of his being rational : Groom . O , how it yearn'd my heart , when I beheld In London streets ...
... Аст III . Sc . 2 . King Richard , full of indignation against his favorite horse for carrying Bolingbroke , is led into the convic- tion of his being rational : Groom . O , how it yearn'd my heart , when I beheld In London streets ...
Strona 49
... Аст IV . Nothing can be more entertaining to a rational mind than the economy of the human passions , of which we have attempted to give some faint notion . It must , however , be acknowledged , that our pas- sions , when they happen to ...
... Аст IV . Nothing can be more entertaining to a rational mind than the economy of the human passions , of which we have attempted to give some faint notion . It must , however , be acknowledged , that our pas- sions , when they happen to ...
Strona 57
... Аст I. Sc . 3 Northumberland , thou ladder wherewithal The mounting Bolingbroke ascends my throne . RICHARD II . - Аст V. Sc . 1 . Antony . Why was I rais'd the meteor of the world , Hung in the skies , and blazing as I travell'd , Till ...
... Аст I. Sc . 3 Northumberland , thou ladder wherewithal The mounting Bolingbroke ascends my throne . RICHARD II . - Аст V. Sc . 1 . Antony . Why was I rais'd the meteor of the world , Hung in the skies , and blazing as I travell'd , Till ...
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque Cæsar capital cause circumstances comparison congruity connexion CORIOLANUS couplet criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic epic poetry expression Falstaff figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV HENRY VI ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion nature never novelty o'er object observed ornament OROONOKO Othello painful PARADISE LOST pause person personification pleasant pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II ridicule rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers Аст