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FRAGMENT: WHEN SOFT WINDS AND SUNNY
SKIES'

[Published by Mrs. Shelley, P. W., 1839, 1st ed.]

WHEN Soft winds and sunny skies
With the green earth harmonize,
And the young and dewy dawn,
Bold as an unhunted fawn,

Up the windless heaven is gone,-
Laugh-for ambushed in the day,-

Clouds and whirlwinds watch their prey.

FRAGMENT: 'AND THAT I WALK THUS
PROUDLY CROWNED'

[Published by Mrs. Shelley, P. W., 1839, 1st ed.]
AND that I walk thus proudly crowned withal
Is that 'tis my distinction; if I fall,

I shall not weep out of the vital day,
To-morrow dust, nor wear a dull decay.

FRAGMENT: 'THE RUDE WIND IS SINGING '

[Published by Mrs. Shelley, P. W., 1839, 1st ed.]

THE rude wind is singing

The dirge of the music dead;
The cold worms are clinging
Where kisses were lately fed.

FRAGMENT: 'GREAT SPIRIT'

[Published by Rossetti, Complete P. W. of P. B. S., 1870.]
GREAT Spirit whom the sea of boundless thought
Nurtures within its unimagined caves,
In which thou sittest sole, as in my mind,
Giving a voice to its mysterious waves-

FRAGMENT: 'O THOU IMMORTAL DEITY'
[Published by Mrs. Shelley, P. W., 1839, 2nd ed.]
O THOU immortal deity

Whose throne is in the depth of human thought,

I do adjure thy power and thee

By all that man may be, by all that he is not,
By all that he has been and yet must be!

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FRAGMENT: THE FALSE LAUREL AND THE TRUE
[Published by Mrs. Shelley, P. W., 1839, 1st ed.]
'WHAT art thou, Presumptuous, who profanest
The wreath to mighty poets only due,

Even whilst like a forgotten moon thou wanest ?
Touch not those leaves which for the eternal few
Who wander o'er the Paradise of fame,

In sacred dedication ever grew:

One of the crowd thou art without a name.'
'Ah, friend, 'tis the false laurel that I wear;
Bright though it seem, it is not the same

As that which bound Milton's immortal hair;
Its dew is poison; and the hopes that quicken
Under its chilling shade, though seeming fair,
Are flowers which die almost before they sicken.'

FRAGMENT: MAY THE LIMNER

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[This and the three following Fragments were edited from MS. Shelley D 1 at the Bodleian Library and published by Mr. C. D. Locock, Examination, &c., Oxford, Clarendon Press, 1903. They are printed here as belonging probably to the year 1821.]

WHEN May is painting with her colours gay
The landscape sketched by April her sweet twin

FRAGMENT: BEAUTY'S HALO

[Published by Mr. C. D. Locock, Examination, &c., 1903.]
THY beauty hangs around thee like
Splendour around the moon-

Thy voice, as silver bells that strike
Upon

...

FRAGMENT: 'THE DEATH KNELL IS RINGING'
[Published by Mr. C. D. Locock, Examination, &c., 1903.]

THE death knell is ringing

The raven is singing

The earth worm is creeping
The mourners are weeping
Ding dong, bell-

FRAGMENT: 'I STOOD UPON A HEAVEN-CLEAVING

TURRET '

I STOOD upon a heaven-cleaving turret

Which overlooked a wide Metropolis

And in the temple of my heart my Spirit

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1 This reads like a study for Autumn, A Dirge' (Locock). Might it not be part of

a projected Fit v. of The Fugitives ?-ED.

Lay prostrate, and with parted lips did kiss
The dust of Desolations [altar] hearth-
And with a voice too faint to falter

It shook that trembling fane with its weak prayer
'Twas noon, the sleeping skies were blue
The city

NOTE ON POEMS OF 1821, BY MRS. SHELLEY

My task becomes inexpressibly painful as the year draws near that which sealed our earthly fate, and each poem, and each event it records, has a real or mysterious connexion with the fatal catastrophe. I feel that I am incapable of putting on paper the history of those times. The heart of the man, abhorred of the poet, who could

'peep and botanize Upon his mother's grave,' does not appear to me more inexplicably framed than that of one who can dissect and probe past woes, and repeat to the public ear the groans drawn from them in the throes of their

agony.

The year 1821 was spent in Pisa, or at the Baths of San Giuliano. We were not, as our wont had been, alone; friends had gathered round us. Nearly all are dead, and, when Memory recurs to the past, she wanders among tombs. The genius, with all his blighting errors and mighty powers; the companion of Shelley's ocean-wanderings, and the sharer of his fate, than whom no man ever existed more gentle, generous, and fearless; and others, who found in Shelley's society, and in his great knowledge and warm sympathy, delight, instruction, and solace; have joined him beyond the grave. A few survive who have felt life a desert since he left it. What misfortune can equal death? Change can convert every other into a blessing, or heal its sting-death alone has no cure. It shakes the foundations of the earth on which we tread; it destroys its beauty; it casts down our shelter; it exposes us bare to desolation. When

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those we love have passed into eternity, life is the desert and the solitude' in which we are forced to linger-but never find comfort more.

There is much in the Adonais which seems now more applicable to Shelley himself than to the young and gifted poet whom he mourned. The poetic view he takes of death, and the lofty scorn he displays towards his calumniators, are as a prophecy on his own destiny when received among immortal names, and the poisonous breath of critics has vanished into emptiness be fore the fame he inherits.

He

Shelley's favourite taste was boating; when living near the Thames or by the Lake of Geneva, much of his life was spent on the water. On the shore of every lake or stream or sea near which he dwelt, he had a boat moored. had latterly enjoyed this pleasure again. There are no pleasure-boats on the Arno; and the shallowness of its waters (except in winter-time, when the stream is too turbid and impetuous for boating) rendered it difficult to get any skiff light enough to float. Shelley, however, overcame the difficulty; he, together with a friend, contrived a boat such as the huntsmen carry about with them in the Maremma, to cross the sluggish but deep streams that intersect the forests,- -a boat of laths and pitched canvas. It held three persons; and he was often seen on the Arno in it, to the horror of the Italians, who remonstrated on the danger, and could not understand how any one could take pleasure in an exercise that risked life. Ma va per la vita!' they exclaimed. I little thought how true their words

would prove.
He once ventured, with
a friend, on the glassy sea of a calm
day, down the Arno and round the
coast to Leghorn, which, by keeping
close in shore, was very practicable.
They returned to Pisa by the canal,
when, missing the direct cut, they got
entangled among weeds, and the boat
upset; a wetting was all the harm done,
except that the intense cold of his
drenched clothes made Shelley faint.
Once I went down with him to the
mouth of the Arno, where the stream,
then high and swift, met the tideless
sea, and disturbed its sluggish waters.
It was a waste and dreary scene; the
desert sand stretched into a point sur-
rounded by waves that broke idly though
perpetually around; it was a scene very
similar to Lido, of which he had said-
'I love all waste

And solitary places; where we taste
The pleasure of believing what we see
Is boundless, as we wish our souls to be:
And such was this wide ocean, and this
shore

More barren than its billows.'

the near hills, surrounded by chestnut and pine woods, and overlooking a wide extent of country: or settling still farther in the maritime Apennines, at Massa. Several of his slighter and unfinished poems were inspired by these scenes, and by the companions around us. It is the nature of that poetry, however, which overflows from the soul oftener to express sorrow and regret than joy; for it is when oppressed by the weight of life, and away from those he loves, that the poet has recourse to the solace of expression in verse.

Still, Shelley's passion was the ocean; and he wished that our summers, instead of being passed among the hills near Pisa, should be spent on the shores of the sea. It was very difficult to find a spot. We shrank from Naples from a fear that the heats would disagree with Percy Leghorn had lost its only attraction, since our friends who had resided there were returned to England; and, Monte Nero being the resort of many English, we did not wish to find ourselves in the midst of a colony of chance travellers. No one then thought it possible to reside at Via Reggio, which latterly has become a summer resort. The low lands and bad air of Maremma stretch the whole length of the western shores of the Mediterranean, till broken by the rocks and hills of Spezia. It was a vague idea, but Shelley suggested an excursion to Spezia, to see whether

Our little boat was of greater use, unaccompanied by any danger, when we removed to the Baths. Some friends lived at the village of Pugnano, four miles off, and we went to and fro to see them, in our boat, by the canal; which, fed by the Serchio, was, though an artificial, a full and picturesque stream, making its way under verdant banks, sheltered by trees that dipped it would be feasible to spend a summer their boughs into the murmuring waters. By day, multitudes of ephemera darted to and fro on the surface; at night, the fireflies came out among the shrubs on the banks; the cicale at noon-day kept up their hum; the aziola cooed in the quiet evening. It was a pleasant summer, bright in all but Shelley's health and inconstant spirits; yet he enjoyed himself greatly, and became more and more attached to the part of the country where chance appeared to cast us. Sometimes he projected taking a farm situated on the height of one of

there. The beauty of the bay enchanted him. We saw no house to suit us; but the notion took root, and many circumstances, enchained as by fatality, occurred to urge him to execute it.

He looked forward this autumn with great pleasure to the prospect of a visit from Leigh Hunt. When Shelley visited Lord Byron at Ravenna, the latter had suggested his coming out, together with the plan of a periodical work in which they should all join. Shelley saw a prospect of good for the fortunes of his friend, and pleasure in his society; and

opinions, carried even to their utme. extent, he wished to live and die, a being in his conviction not only tru?. but such as alone would conduce to the moral improvement and happiness of mankind. The sale of the work might meanwhile, either really or supposedly. be injured by the free expression of his thoughts; and this evil he resolved

instantly exerted himself to have the
plan executed. He did not intend him-
self joining in the work: partly from
pride, not wishing to have the air of
acquiring readers for his poetry by as-
sociating it with the compositions of
more popular writers; and also because
he might feel shackled in the free ex-
pression of his opinions, if any friends
were to be compromised. By those to avoid.

POEMS WRITTEN IN 1822
THE ZUCCA

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[Published by Mrs. Shelley, Posthumous Poems, 1824, and dated January, 1822.' There is a copy amongst the Boscombe MSS.]

I

SUMMER was dead and Autumn was expiring,
And infant Winter laughed upon the land
All cloudlessly and cold;-when I, desiring
More in this world than any understand,
Wept o'er the beauty, which, like sea retiring,

Had left the earth bare as the wave-worn sand
Of my lorn heart, and o'er the grass and flowers
Pale for the falsehood of the flattering Hours.

II

Summer was dead, but I yet lived to weep
The instability of all but weeping;
And on the Earth lulled in her winter sleep
I woke, and envied her as she was sleeping.
Too happy Earth! over thy face shall creep
The wakening vernal airs, until thou, leaping
From unremembered dreams, shalt
No death divide thy immortality.

III

I loved-oh, no, I mean not one of ye,
Or any earthly one, though ye are dear
As human heart to human heart may

see

be;

I loved, I know not what-but this low sphere

And all that it contains, contains not thee,
Thou, whom, seen nowhere, I feel everywhere.
From Heaven and Earth, and all that in them are,
Veiled art thou, like a

IV

star.

By Heaven and Earth, from all whose shapes thou flowest,
Neither to be contained, delayed, nor hidden;

Making divine the loftiest and the lowest,

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15

20

25

23 So Boscombe MS.; Dim object of my

24 star Boscombe MS.; wanting ed. 1824.

7 lorn Boscombe MS.; poor ed. 1824. soul's idolatry ed. 1824.

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