The Attic Theatre: A Description of the Stage and Theatre of the Athenians, and of the Dramatic Performances at AthensOxford / Clarendon Press, 1898 - 349 |
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Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
Acharn actors Aesch Aeschin Aeschylus anapaests ancient Anthesteria appears archon Arist Aristoph Aristophanes Aristotle arrangement Athenian Athenian theatre Athens Attic audience auditorium back-scene character choral choregus choreutae City Dionysia comic competitions connexion consisted Corp costume dancing Demosthenes dialogue Dindf Dionysus dithyrambic Dörpfeld doubt dramatic performances dress ekkyklema Epidaurus erected Euripides evidence exhibited fact feet festival fifth century foll fourth century front Greek drama Greek stage Greek theatre Griech Hesych inscription kind later Lenaea Lenaeon masks Meid orchestra ordinary palace parodos passages period Plut Poll Pollux probably proscenium Roman satyric drama satyric play scene scenery Schol seats side-wings Soph Sophocles spectators stage-buildings stone Suidas suppose tetralogies tragedy tragic actor tragic chorus tragic poets victory Vitruvius wooden γὰρ δὲ διὰ ἐκ ἐν ἐπὶ ἐχορήγει θέατρον καὶ μὲν οἱ οὐκ πρὸς τὰ τὰς τῇ τὴν τῆς τοῖς τὸν τοῦ τοὺς τῷ τῶν ὡς
Popularne fragmenty
Strona 85 - But towards the end of the fifth and the beginning of the fourth century the practice in these matters underwent a change.
Strona 24 - Satyros, ita vertere seria ludo, ne quicumque deus, quicumque adhibebitur heros, regali conspectus in auro nuper et ostro, migret in obscuras humili sermone tabernas, aut, dum vitat humum, nubes et inania captet.
Strona 363 - The evidence is decisive, but 'in the treatment of this matter scholars appear to have been unduly biased by a preconceived opinion as to what was right and proper. Undoubtedly Athenian women were kept in a state of almost Oriental seclusion. And the old Attic comedy was pervaded by a coarseness which seems to make it utterly unfit for boys and women. For these reasons some writers have gone so far as to assert that they were never present at any dramatic performances whatsoever. Others, while not...
Strona 363 - The composition of the purely Athenian part of the audience is a subject upon which a great deal has been written, the principal difficulty being the question as to the admittance of boys and women to the dramatic performances. In the treatment of this matter scholars appear to have been unduly biased by a preconceived opinion as to what was right and proper. Undoubtedly Athenian women were kept in a state of almost Oriental seclusion. And the old Attic comedy was pervaded by a coarseness which seems...
Strona v - ... Catholic faith professes, and of setting aside the errors that are opposed to it. To use the words of Hilary: "I am aware that I owe this to God as the chief duty of my life, that my every word and sense may speak of Him."1 [3] To proceed against individual errors, however, is a difficult business, and this for two reasons. In the first place, it is difficult because the sacrilegious remarks of individual men who have erred are not so well known to us so that we may use what they say as the basis...
Strona 383 - ... judges to resist such demonstrations, and to vote in accordance with their own private judgment. The ordinary modes of signifying pleasure or disgust were much the same in ancient as in modern times, and consisted of hisses and groans on the one hand, and shouts and clapping of hands on the other. The Athenians had also a peculiar way of marking their disapproval of a performance by kicking with the heels of their sandals against the front of the stone benches on which they were sitting. Stones...
Strona ix - PREFACE TO THE SECOND EDITION Since the first edition of this book was...
Strona 362 - For beauty of form, depth of meaning, and poetical inspiration they have never been surpassed. The point of unique interest about the Greek drama is the superlative excellence of its productions, combined with the fact that it was essentially a national amusement, designed for the entertainment of the great mass of the citizens. It would be difficult to point to any similar example of the whole population of a city meeting together each year to enjoy works of the highest artistic beauty. It is seldom...
Strona 313 - ... their profession. A decree granting these privileges was passed by the council of the Greek federation, and a copy of it, engraved on stone, was erected in the Theatre of Dionysus at Athens. Some of the items of this remarkable decree, which is fortunately preserved, ran as follows : " It has been resolved by the Amphictyonic Council that security of person and property, and exemption from arrest during peace and war, be ensured to the artists of Dionysus at Athens ; . . . that they enjoy that...