The Lure of Perfection: Fashion and Ballet, 1780-1830

Przednia okładka
Psychology Press, 2005 - 280
THE LURE OF PERFECTION: FASHION AND BALLET, 1780-1830 offers a unique look at how ballet influenced contemporary fashion and women's body image, and how street fashions in turn were reflected by the costumes worn by ballet dancers. Through years of research, the author has traced the interplay between fashion, social trends, and the development of dance. During the 18th century, women literally took up twice as much space as men; their billowing dresses ballooned out from their figures, sometimes a full 55 inches, to display costly jewelry and fine brocade work; similar costumes appeared on stage. But clothing also limited her movement; it literally disabled them, making the dances themselves little more than tableaux. Movement was further inhibited by high shoes and tight corsets; thus the image of the rigidly straight, long-lined dancer is as much a product of clothing as aesthetics. However, with changing times came new trends. An increased interest in natural movement and the common folk led to less-restrictive clothing. As viewers demanded more virtuosic dancers, women literally danced their way to freedom.

THE LURE OF PERFECTION will interest students of dance and cultural history, and women's studies. It is a fascinating, well-researched look at the interplay of fashion, dance, and culture-still very much a part of our world today.
 

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Spis treści

Setting the Stage
9
Reformers and Philosophes as Forerunners
35
The Moderate and the Outrageous
65
Neoclassicism
93
The Consulate 17991804 and
117
RestorationOne Bourbon Returns
147
Pale Goddesses on the Street
165
The Kingdom of the Opera
179
The Turning Point
207
The Dark Side of White
221
Conclusion
239
Endnotes
247
Chronology
259
Bibliography
263
Index
273
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Informacje o autorze (2005)

Judith Chazin-Bennahum is Chair of the Dept of Theatre and Dance at the University of New Mexico. She is a past president of the Society of Dance History Scholars, and has authored and edited several books on dance history. She began her career as a performing dancer, dancing in companies headed by Antony Tudor, Pearl Lang, and Alexandra Danilova, and was invited by George Balanchine to perform with the New York City Ballet on their first Russian tour.

Informacje bibliograficzne