The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 138
... writing about. ̧ So , altogether , I want Parsons to live up to my expectations about him , if only for selfish reasons . If an employer happens to write me , later on , and says , “ You were right about Parsons . He is very industrious ...
... writing about. ̧ So , altogether , I want Parsons to live up to my expectations about him , if only for selfish reasons . If an employer happens to write me , later on , and says , “ You were right about Parsons . He is very industrious ...
Strona 182
... write one and has as much right to the term as the authors of A Yorkshire Tragedy and The London Merchant . But something about the play suggests that Miller's vision , not to mention Willy's , is far from what one might call tragic ...
... write one and has as much right to the term as the authors of A Yorkshire Tragedy and The London Merchant . But something about the play suggests that Miller's vision , not to mention Willy's , is far from what one might call tragic ...
Strona 183
... write tragedies ( while others write music or paint , others do philosophy , and still others simply carry on with what Miguel de Unamuno called a tragic sense of life ) . But there is also something about the tragic form that invites ...
... write tragedies ( while others write music or paint , others do philosophy , and still others simply carry on with what Miguel de Unamuno called a tragic sense of life ) . But there is also something about the tragic form that invites ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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