The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 157
... thought , or dianoia . As I have noted already , Else calls attention to the " close affiliation between character and thought " as devices for revealing what is on the characters ' minds , or in their souls ( 1967 , 270 ) . The concept ...
... thought , or dianoia . As I have noted already , Else calls attention to the " close affiliation between character and thought " as devices for revealing what is on the characters ' minds , or in their souls ( 1967 , 270 ) . The concept ...
Strona 164
... thought " of any kind becomes too complex , too leisurely , too informational , too much its own end , the life - giving presence of the actor becomes an embarrassment of neglect . Then too , by this point in the play the overall style ...
... thought " of any kind becomes too complex , too leisurely , too informational , too much its own end , the life - giving presence of the actor becomes an embarrassment of neglect . Then too , by this point in the play the overall style ...
Strona 175
Bert O. States. Thought as Ventriloquism between the Chekhov and Ibsen dialectics at large . The Ibsen dialectic is formed out of opposing versions of thought and action : the Gabler versus the Tesman principles , the conventional life ...
Bert O. States. Thought as Ventriloquism between the Chekhov and Ibsen dialectics at large . The Ibsen dialectic is formed out of opposing versions of thought and action : the Gabler versus the Tesman principles , the conventional life ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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