The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 74
... things past " ) , sight ( “ the present of things present " ) , and expectation ( “ the present of things future ” ) ( 1973 , 193 ) . It should be said that Augustine is describing our consciousness of time , not time itself in some ...
... things past " ) , sight ( “ the present of things present " ) , and expectation ( “ the present of things future ” ) ( 1973 , 193 ) . It should be said that Augustine is describing our consciousness of time , not time itself in some ...
Strona 84
... things present ( in the sense of in - between - ness or indetermination in things ) ; and the ending the present of things future ( as they will be ) . In any case , early on in a play we are drawn into the felt orders of wholeness in ...
... things present ( in the sense of in - between - ness or indetermination in things ) ; and the ending the present of things future ( as they will be ) . In any case , early on in a play we are drawn into the felt orders of wholeness in ...
Strona 88
... things were compared without a “ like ” or an “ as ” ; then it was seen as a “ tension ” in language ( simile itself became a form of metaphor ) ; then as an indirect speech act ; then a means of discovering nonconceptual meaning ; and ...
... things were compared without a “ like ” or an “ as ” ; then it was seen as a “ tension ” in language ( simile itself became a form of metaphor ) ; then as an indirect speech act ; then a means of discovering nonconceptual meaning ; and ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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