The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 5
... suggests that he doesn't mean " part " in the sense that there is someplace in a play where there isn't plot , or that plot is a discrete thing separate from , say , character . For it somehow seems to shortchange the soul of anything ...
... suggests that he doesn't mean " part " in the sense that there is someplace in a play where there isn't plot , or that plot is a discrete thing separate from , say , character . For it somehow seems to shortchange the soul of anything ...
Strona 95
... suggests : the characters on stage have either missed the point of their lives or have succeeded in sublimating it ... suggest that this affect belongs in the category of recognition : it is exacerbated by peripeties that , though ...
... suggests : the characters on stage have either missed the point of their lives or have succeeded in sublimating it ... suggest that this affect belongs in the category of recognition : it is exacerbated by peripeties that , though ...
Strona 182
... suggests that all works legitimately called tragedies are necessarily in- formed by a tragic vision , or , taking visionary in Krieger's sense ( and perhaps Van Laan's ) , that all tragedies have tragic visionaries as their protagonists ...
... suggests that all works legitimately called tragedies are necessarily in- formed by a tragic vision , or , taking visionary in Krieger's sense ( and perhaps Van Laan's ) , that all tragedies have tragic visionaries as their protagonists ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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