The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 36
... speech is dramatic or stageworthy from the content of the speech alone . On the stage , speech is always indentured to “ a greater semiological system " ( Barthes 1972b , 116 ) , that of mimesis itself . And one of the charac- teristics ...
... speech is dramatic or stageworthy from the content of the speech alone . On the stage , speech is always indentured to “ a greater semiological system " ( Barthes 1972b , 116 ) , that of mimesis itself . And one of the charac- teristics ...
Strona 37
... speech is dramatic or stageworthy from the content of the speech alone . On the stage , speech is always indentured to “ a greater semiological system " ( Barthes 1972b , 116 ) , that of mimesis itself . And one of the charac- teristics ...
... speech is dramatic or stageworthy from the content of the speech alone . On the stage , speech is always indentured to “ a greater semiological system " ( Barthes 1972b , 116 ) , that of mimesis itself . And one of the charac- teristics ...
Strona 39
... speech is exactly what Samuel Johnson meant in saying that Shakespeare's people " act and speak by the influence of ... speech the actor's " whole system of life is con- tained in motion . " To sum up : dramatic speech is thin and ...
... speech is exactly what Samuel Johnson meant in saying that Shakespeare's people " act and speak by the influence of ... speech the actor's " whole system of life is con- tained in motion . " To sum up : dramatic speech is thin and ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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