The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Z wnętrza książki
Wyniki 1 - 3 z 41
Strona 80
... once imaginative and empirical , at once an evocation and a direct perception , real without being merely actual , ideal without being merely abstract , the ideal real , the essential , the extratemporal ” ( 1931 , 55– 56 ) . Of course ...
... once imaginative and empirical , at once an evocation and a direct perception , real without being merely actual , ideal without being merely abstract , the ideal real , the essential , the extratemporal ” ( 1931 , 55– 56 ) . Of course ...
Strona 88
... once considered metaphor as a humble figure of speech in which two things were compared without a “ like ” or an “ as ” ; then it was seen as a “ tension ” in language ( simile itself became a form of metaphor ) ; then as an indirect ...
... once considered metaphor as a humble figure of speech in which two things were compared without a “ like ” or an “ as ” ; then it was seen as a “ tension ” in language ( simile itself became a form of metaphor ) ; then as an indirect ...
Strona 193
... Once we are rid of the notion that tragic vision depends on the tragic form as its host — that is , once we cease associating the tragic with what amounts to a historically derived model ( the mythic “ median ” hero , hubris , hamartia ...
... Once we are rid of the notion that tragic vision depends on the tragic form as its host — that is , once we cease associating the tragic with what amounts to a historically derived model ( the mythic “ median ” hero , hubris , hamartia ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
Nie pokazano 11 innych sekcji
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write