The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 21
... object as an art object in a dream , and to be aware that it is different from other things in the dream — a mimesis as opposed to a part of the dream reality . But such is the nature of dream images that thought , image , speech , and ...
... object as an art object in a dream , and to be aware that it is different from other things in the dream — a mimesis as opposed to a part of the dream reality . But such is the nature of dream images that thought , image , speech , and ...
Strona 52
... object in the real world or in your mind's eye , you have taken the first step toward wholeness . Rather than ... object as it exists before the eye . This enslavement to the " copycat " principle is exactly what prevents wholeness ...
... object in the real world or in your mind's eye , you have taken the first step toward wholeness . Rather than ... object as it exists before the eye . This enslavement to the " copycat " principle is exactly what prevents wholeness ...
Strona 82
... object ; it is the feeling of the object , not some reflex in the viewer . Furthermore , one has to differentiate this viewing subjectivity , properly understood , from the subjective moment in the object itself , which is located in ...
... object ; it is the feeling of the object , not some reflex in the viewer . Furthermore , one has to differentiate this viewing subjectivity , properly understood , from the subjective moment in the object itself , which is located in ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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