The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 13
... nature . Since we are also members of the animal kingdom , perhaps that is the best place in nature to begin our inquiry . I am drawn not to the mating rituals or play habits of animals but to a curious creature from the sea called the ...
... nature . Since we are also members of the animal kingdom , perhaps that is the best place in nature to begin our inquiry . I am drawn not to the mating rituals or play habits of animals but to a curious creature from the sea called the ...
Strona 23
... nature culture uses to create [ a ] second nature " ( 1993 , 252 ) . The beauty of this definition lies in the seem- ingly tautologous way in which it keeps the act of mimesis within the nature that mimesis is often thought to copy ...
... nature culture uses to create [ a ] second nature " ( 1993 , 252 ) . The beauty of this definition lies in the seem- ingly tautologous way in which it keeps the act of mimesis within the nature that mimesis is often thought to copy ...
Strona 23
... nature culture uses to create [ a ] second nature " ( 1993 , 252 ) . The beauty of this definition lies in the seem- ingly tautologous way in which it keeps the act of mimesis within the nature that mimesis is often thought to copy ...
... nature culture uses to create [ a ] second nature " ( 1993 , 252 ) . The beauty of this definition lies in the seem- ingly tautologous way in which it keeps the act of mimesis within the nature that mimesis is often thought to copy ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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