The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 90
... least likely suspect as the real murderer . We go to melodramas like Oedipus precisely to be played with like a mouse , and much of the thrill comes in trying to outguess the cat who wrote the play . Thus our generic expectation of a ...
... least likely suspect as the real murderer . We go to melodramas like Oedipus precisely to be played with like a mouse , and much of the thrill comes in trying to outguess the cat who wrote the play . Thus our generic expectation of a ...
Strona 96
... least implicitly ) who doesn't , or wouldn't , get it . In ironic drama there is , so to speak , some- thing to recognize , and in Chekhov this something is exactly the charac- ters ' nonrecognition — or at least the gulf between the ...
... least implicitly ) who doesn't , or wouldn't , get it . In ironic drama there is , so to speak , some- thing to recognize , and in Chekhov this something is exactly the charac- ters ' nonrecognition — or at least the gulf between the ...
Strona 109
... least most of ) the characters of The Three Sisters might be symbolized in one of Vershinin's speeches or in Olga's “ And I so longed to go home again ! " To see the inversion , one has only to substitute the word " peace " for " war ...
... least most of ) the characters of The Three Sisters might be symbolized in one of Vershinin's speeches or in Olga's “ And I so longed to go home again ! " To see the inversion , one has only to substitute the word " peace " for " war ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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