The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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... imagine our anglerfish one day discovering its filament for the first time , like a child discovering its toes , and becoming simply enthralled by the beauty of all the variable configurations and symmetries that are possible with this ...
... imagine our anglerfish one day discovering its filament for the first time , like a child discovering its toes , and becoming simply enthralled by the beauty of all the variable configurations and symmetries that are possible with this ...
Strona 122
... imagine a version of Oedipus Rex in which Oedipus proceeds quite logically and temperately , without hurry or anxiety . Imagine Oedipus as a mature gifted man , a leader ( as Brecht might say ) with the wisdom of Solomon , the bravery ...
... imagine a version of Oedipus Rex in which Oedipus proceeds quite logically and temperately , without hurry or anxiety . Imagine Oedipus as a mature gifted man , a leader ( as Brecht might say ) with the wisdom of Solomon , the bravery ...
Strona 212
... imagine that it hovered in the vicinity of the catastrophic last scene of Shakespeare's play . Further , imagine that during the agony of Lear portrayed so mov- ingly by the actor — during , say , the incomparable line , " Thou❜lt come ...
... imagine that it hovered in the vicinity of the catastrophic last scene of Shakespeare's play . Further , imagine that during the agony of Lear portrayed so mov- ingly by the actor — during , say , the incomparable line , " Thou❜lt come ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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