The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 16
... give rise to some [ external ] visible shape in which anyone else would recognize those motifs which support his own inspection of the world ? Thus there appears a “ visible ” of the second power , a carnal essence or icon of the first ...
... give rise to some [ external ] visible shape in which anyone else would recognize those motifs which support his own inspection of the world ? Thus there appears a “ visible ” of the second power , a carnal essence or icon of the first ...
Strona 18
... give pleasure ) were otherwise accomplished by other means , we would go on imitating all the same . And this gives rise to the possibility of a form of elementary purposefulness beneath all these secondarily purposeful ends ...
... give pleasure ) were otherwise accomplished by other means , we would go on imitating all the same . And this gives rise to the possibility of a form of elementary purposefulness beneath all these secondarily purposeful ends ...
Strona 166
... give way to hermeneutics , seems less attributable to normal human response than to its role in closing the dialectic Ibsen has all along been advancing between convention and self - integrity . My purpose is not a criticism of Ibsen ...
... give way to hermeneutics , seems less attributable to normal human response than to its role in closing the dialectic Ibsen has all along been advancing between convention and self - integrity . My purpose is not a criticism of Ibsen ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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