The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 27
... follow a script , however routine , established by my society . Why is it natural to sing aloud in public and unnatural to " become " Macbeth in public without the frame and authorization of the stage ? Certainly , the difference must ...
... follow a script , however routine , established by my society . Why is it natural to sing aloud in public and unnatural to " become " Macbeth in public without the frame and authorization of the stage ? Certainly , the difference must ...
Strona 60
... follow the sequence without any trouble . These are the " events " in Burke's characterization of Socratic irony , a tepid synopsis of which might reduce to some such statement as , " Socrates asked so many embarrassing questions and ...
... follow the sequence without any trouble . These are the " events " in Burke's characterization of Socratic irony , a tepid synopsis of which might reduce to some such statement as , " Socrates asked so many embarrassing questions and ...
Strona 176
... follow parallel paths to infinity in the other ( Chekhov ) . I am not in the least claiming that Ibsen's meanings ... follows . We begin to sense objectivity when an author knowingly or unknowingly sets up structures or options that ...
... follow parallel paths to infinity in the other ( Chekhov ) . I am not in the least claiming that Ibsen's meanings ... follows . We begin to sense objectivity when an author knowingly or unknowingly sets up structures or options that ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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