The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 140
... finally has no name at all . Thus Hamlet escapes through a crack in the floor of character itself . Finally , as in all the other Hamlet speeches in the play , we haven't the slightest notion of what bothers him except what we knew at ...
... finally has no name at all . Thus Hamlet escapes through a crack in the floor of character itself . Finally , as in all the other Hamlet speeches in the play , we haven't the slightest notion of what bothers him except what we knew at ...
Strona 190
... Finally , in a devastating essay titled " Creation from the Void " Leon Shestov argues that Chekhov is “ a sor- cerer . an adept in the black art [ with a ] singular infatuation for death , decay and hopelessness ” which would seem to ...
... Finally , in a devastating essay titled " Creation from the Void " Leon Shestov argues that Chekhov is “ a sor- cerer . an adept in the black art [ with a ] singular infatuation for death , decay and hopelessness ” which would seem to ...
Strona 209
... finally , we are free , in this part of the world , to make plays about Havel and his kind . These are all things that justify the means of political theater . For I have not been insinuating here that Beckett is cynical of a hypocrisy ...
... finally , we are free , in this part of the world , to make plays about Havel and his kind . These are all things that justify the means of political theater . For I have not been insinuating here that Beckett is cynical of a hypocrisy ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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