The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 103
... fictional cannot be experienced by disappearing into it , as we do in dreams , because it then ceases to be illusory ; nor can we experience the fictional by contemplating its material substance ( a 14 - ounce book ) : hence fiction ...
... fictional cannot be experienced by disappearing into it , as we do in dreams , because it then ceases to be illusory ; nor can we experience the fictional by contemplating its material substance ( a 14 - ounce book ) : hence fiction ...
Strona 159
... Fiction is not " identical to the imaginary . . . ; [ rather , it ] endows the imaginary with an articulate gestalt " : Just as the fictionalizing act outstrips the determinacy of the real , so it provides the imaginary with the ...
... Fiction is not " identical to the imaginary . . . ; [ rather , it ] endows the imaginary with an articulate gestalt " : Just as the fictionalizing act outstrips the determinacy of the real , so it provides the imaginary with the ...
Strona 166
... fiction is founded . But in order to see such falsity one must , like a defense lawyer , suspend one's belief in the innocence of the illusion and the artist's right to a perfectly necessary duplicity . Moreover , all of these events ...
... fiction is founded . But in order to see such falsity one must , like a defense lawyer , suspend one's belief in the innocence of the illusion and the artist's right to a perfectly necessary duplicity . Moreover , all of these events ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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