The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 10
... feeling fear while I myself am mounting a scaffold to the guillotine . But I am coming at the idea of pleasure from the standpoint of how plays manage to arouse these feelings in dramaturgic terms . It wouldn't make much difference to ...
... feeling fear while I myself am mounting a scaffold to the guillotine . But I am coming at the idea of pleasure from the standpoint of how plays manage to arouse these feelings in dramaturgic terms . It wouldn't make much difference to ...
Strona 82
... feeling . True aesthetic feeling is oriented to the object ; it is the feeling of the object , not some reflex in the viewer . Furthermore , one has to differentiate this viewing subjectivity , properly understood , from the subjective ...
... feeling . True aesthetic feeling is oriented to the object ; it is the feeling of the object , not some reflex in the viewer . Furthermore , one has to differentiate this viewing subjectivity , properly understood , from the subjective ...
Strona 83
... feeling itself . Plays are not emotion - producing machines , they are objects of " wonderment " which overwhelm us , in the best cases , by their way of being present before us as " expression and form . ” One might claim , then , that ...
... feeling itself . Plays are not emotion - producing machines , they are objects of " wonderment " which overwhelm us , in the best cases , by their way of being present before us as " expression and form . ” One might claim , then , that ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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