The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Z wnętrza książki
Wyniki 1 - 3 z 52
Strona 78
... experience in the presence of an action is a virtual personification of the world , as if events could think . Drama imitates time , then , not simply as a construct of human will or as something whose passing can be measured ( " T'is ...
... experience in the presence of an action is a virtual personification of the world , as if events could think . Drama imitates time , then , not simply as a construct of human will or as something whose passing can be measured ( " T'is ...
Strona 95
... experience with , say , Chekhov ( when it is well acted ) from my experience with , say , Hamlet or Oedipus . Catharsis seems to me a pell - mell effect , com- posed of different combinations of emotions , perhaps , but always what we ...
... experience with , say , Chekhov ( when it is well acted ) from my experience with , say , Hamlet or Oedipus . Catharsis seems to me a pell - mell effect , com- posed of different combinations of emotions , perhaps , but always what we ...
Strona 199
... experience is less compassionate and terrifying - less cathartic - than the death of Lear . It is one thing to write depressingly about depressing things , as the naturalists did , quite another to look at them without consolation ...
... experience is less compassionate and terrifying - less cathartic - than the death of Lear . It is one thing to write depressingly about depressing things , as the naturalists did , quite another to look at them without consolation ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
Nie pokazano 11 innych sekcji
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write