The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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... course in dramatic structure . Having taught such a course for many years , I have long thought about writing a book that would deal with basic problems and principles of construction : plot , action , character , reversal , recognition ...
... course in dramatic structure . Having taught such a course for many years , I have long thought about writing a book that would deal with basic problems and principles of construction : plot , action , character , reversal , recognition ...
Strona 89
... course , led him to view peripety from what we might call a middle distance from the play ( roughly that of the scene ) where discrete parts could be identified . In essence , peripety is a change to the opposite of the expected . We ...
... course , led him to view peripety from what we might call a middle distance from the play ( roughly that of the scene ) where discrete parts could be identified . In essence , peripety is a change to the opposite of the expected . We ...
Strona 180
... course comes to stand for Man with a capital M. Everyone ( including every spectator ) is then carried away by the momen- tum of the events portrayed , so that in a performance of Oedipus one has for all practical purposes an auditorium ...
... course comes to stand for Man with a capital M. Everyone ( including every spectator ) is then carried away by the momen- tum of the events portrayed , so that in a performance of Oedipus one has for all practical purposes an auditorium ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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