The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 40
... audience , which varies widely from one period to another and from one kind of audience to another . Moreover , something might become dramatic , hence actable , by virtue of its fashionability in the immediate culture . Some epochs ...
... audience , which varies widely from one period to another and from one kind of audience to another . Moreover , something might become dramatic , hence actable , by virtue of its fashionability in the immediate culture . Some epochs ...
Strona 96
... audience feels that peculiar disparity , common in irony ( another word for what we're talking about ) , between what is said and what has been left unsaid . Irony , someone has claimed , requires three people : the ironist , someone ...
... audience feels that peculiar disparity , common in irony ( another word for what we're talking about ) , between what is said and what has been left unsaid . Irony , someone has claimed , requires three people : the ironist , someone ...
Strona 114
... audience and actors . It turns out that at approximately the point in Sophocles ' play when Oedipus is hearing the good news from Corinth , Offending the Audience pulls its conventional peripety and announces that the audience ( in ...
... audience and actors . It turns out that at approximately the point in Sophocles ' play when Oedipus is hearing the good news from Corinth , Offending the Audience pulls its conventional peripety and announces that the audience ( in ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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