The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Bert O. States. CHAPTER 4 Plot and Action A is ristotle maintains that tragedy is the imitation of an action - ( praxis ) and that " the basic principle , the heart and soul " of this imitation — hence , we can assume , of the action as ...
Bert O. States. CHAPTER 4 Plot and Action A is ristotle maintains that tragedy is the imitation of an action - ( praxis ) and that " the basic principle , the heart and soul " of this imitation — hence , we can assume , of the action as ...
Strona 59
... action as adaptable to any play that exhibits wholeness . Still , we need a clearer sense of action and its relation to plot . Unfor- tunately , it is difficult to illustrate the difference between plot and action through the ...
... action as adaptable to any play that exhibits wholeness . Still , we need a clearer sense of action and its relation to plot . Unfor- tunately , it is difficult to illustrate the difference between plot and action through the ...
Strona 61
Bert O. States. Plot and Action and , to invoke his own phrase , begins dancing the attitude of Socratic persistence . Plot is " subtly converted " into an action that culminates in the death of Socrates . Moreover , behind the spectacle ...
Bert O. States. Plot and Action and , to invoke his own phrase , begins dancing the attitude of Socratic persistence . Plot is " subtly converted " into an action that culminates in the death of Socrates . Moreover , behind the spectacle ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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