The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 170
... Chekhov is loading an argument or a dialectic between two positions ; the episode is just his means of reminding us punctually who is now in control of the house . In Ibsen , on the other hand , something will come of everything . The ...
... Chekhov is loading an argument or a dialectic between two positions ; the episode is just his means of reminding us punctually who is now in control of the house . In Ibsen , on the other hand , something will come of everything . The ...
Strona 175
... Chekhov's drama “ predicates nothing , " then , lies in the fact that Chekhov doesn't conceive his characters as inte- gers in an ethical or an ideological equation . There is a presumption in Chekhov that the ethical speaks for itself ...
... Chekhov's drama “ predicates nothing , " then , lies in the fact that Chekhov doesn't conceive his characters as inte- gers in an ethical or an ideological equation . There is a presumption in Chekhov that the ethical speaks for itself ...
Strona 190
... Chekhov's is per- haps the most debatable case . David Magarshack finds Chekhov's plays positive and forward - looking in their endings ( 1960 , 262–63 ) . F. L. Lucas , on the other hand , finds “ no more really tragic ending in all ...
... Chekhov's is per- haps the most debatable case . David Magarshack finds Chekhov's plays positive and forward - looking in their endings ( 1960 , 262–63 ) . F. L. Lucas , on the other hand , finds “ no more really tragic ending in all ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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