The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 5
... Aristotle thinks about plot , in his sense of something being a “ part ” of tragedy and in saying that plot is " the arrangement of the events . ” But I suspect that Aristotle's use of the word " part " is very different from Bentley's ...
... Aristotle thinks about plot , in his sense of something being a “ part ” of tragedy and in saying that plot is " the arrangement of the events . ” But I suspect that Aristotle's use of the word " part " is very different from Bentley's ...
Strona 7
... Aristotle , in that I would convert Aristotle's particulars ( designed partly as a polite critique of Plato's critique of imitation ) into Platonic universals . But I would do this , as Kenneth Burke has put it , by taking Plato's ...
... Aristotle , in that I would convert Aristotle's particulars ( designed partly as a polite critique of Plato's critique of imitation ) into Platonic universals . But I would do this , as Kenneth Burke has put it , by taking Plato's ...
Strona 123
... Aristotle is least satisfactory , although in one small way astonishing . Nothing in the Poetics is quite so notorious as Aristotle's insistence that character is secondary to plot and that a tragedy might exist without characters but ...
... Aristotle is least satisfactory , although in one small way astonishing . Nothing in the Poetics is quite so notorious as Aristotle's insistence that character is secondary to plot and that a tragedy might exist without characters but ...
Spis treści
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Prawa autorskie | |
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